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In pride, alone, and humble thanks for promised gifts so rare,
That foolish whisper comes to me, of my little boy so fair,
Because by sickness only, I am sure God lets us know,
When he doth wish a living soul back to himself to go.
And yet, my babe, while you and I this day communed alone,
A creeping of that vain surmise I inwardly did own,
There was such meaning in thee, babe, so startling and intense-
A power in thine up-cast eyes, a pure intelligence-
In accents strange and primitive, in a language bold and strong,
Once spoken in the infant world, though now forgotten long,
I almost thought to hear thee shape the question of that luok,
To which, as to a spirit's glance, I for a moment shook.
My dreams! my dreams, I also fear! they do so picture thee,
A little corpse laid at my feet, in sage tranquillity,
And in the middle of the night, my own weak moans do start,
The desolating sorrow from my cramped and quailing heart!"
AN INFANT'S BURIAL.

Why did no follower shed
Little child, for you

A tear, sweet child, for you;
No passing bell was rungi

Nay, father and his kin,
Little child, for you

Why were they tearless, too?
No burial chaunt was sung :

Although it taxed them sore.
Little child, for you

And him, the mourner-chief,
Before your coffin head,

Although he could have kept
No priest led on the way

Aloud, aloul in grief.
Unto your church-yard bed:

Because each well did know,
Little child, for you

Priest, people, father, kin,
No mourning weeds were on,

That for your loss to ns,
To show a double grief

Sorrow were almost sin:
That you to God had gone.

That life is misery,
But people paced around,

The more when life is long-
With grave and sober tread,

That life is weakness all,
In awe, not tears, to heaven,

When life should most be strong.
For a gracious infant, dead.
Behind, your father walked,

And more than this they knew,
Linked with his brothers, two,

That God had willed away
And alone, because infirm,

From earth a child of His,
Another followed you.

L'nsullied by earth's clay-
And why tolled not the knell,

As yet unstained by crime,
Why was the death-chaunt mute-

Before liis Maker's face
Why were the mourners there,

And therefore sure to find
Without a mourning suit ?

In heaven a resting place." The lines are not, we are well aware, either very poetical or very striking; but they show the phases of a longing, loving mind; of a soul all love and hope, of a heart young amidst care and grief-a heart that would not be crushed.

A friend who visited Banim, at this period, thus describes his conversation and mode of life :

" I had left the town behind, and my route led along the Dublin road, when a small dwelling overlooking the path announced the author's villa. A wooden door opened to my summons, and admitted me into a small court-yard bordered by a trimly kept plot of garden ground. A lad was wheeling an invalid in a bath chair round the gravelled walk. I needed not to ask; I knew it must be Banim.

Quickly I approached, and put my card into his hand. Mr. Banim,' I said, “ pardon this intrusion—but I could not be a day in Kilkenny without paying my homage to a genius to whom Ireland owes so much. I have written a little myself, and therefore felt bound to come and see you.'

He took my hand and pressed it warmly. 'I have read your work with pleasure," he said, "and am thankful for your visit. Come in and rest after your walk.' Pardon me,' I replied, “if I decline just now.

The walk here is nothing, and you are enjoying this lovely day. Continue your jaunt,

and I will walk and talk with you.' The boy resumed his propelling motion, and I chatted with the gifted Banim. I had full leisure to observe his features, which were long and delicately formed; his high forehead, denoting intellect, and soft eyes ever lit with flashing thoughts. When he removed his hat, his hair seemed grey, but not with years,' for I do not think he was much more than forty ; but with mental excitement, and much privation and acute bodily suffering, (he then laboured under rheumatic paralysis, which deprived him of the entire use of his lower limbs) had told upon his brown tresses, and his silvered head.

We spoke chiefly on literary topics. He declaimed power. fully against the low state of literature in this unhappy country, which he attributed to the prohibition of learning in the time of the Penal Laws, from the effects of which the great mass of the people were but slowly recovering-how it was impossible to derive any considerable pecuniary emolument from writings in Ireland. Moore told me,' he said, 'if, he had confined his labours to Ireland he would be a beggar. He spoke rather feelingly of the neglect of men, who liad the means, but not the will, to make his sojourn in his native place more agreeable, and hinted at the Marquis of Ormond. Tears of gratitude sparkled in his eyes as he related a visit not long before paid him by the Lord Lieutenant, the Marquis of Normanby. If men of that class only knew how prized a few kind words—some pithy notices of judicious praise--are to the sensitive minds of authors, methinks they would be less chary in giving what, at all events, costs nothing.

I mentioned my regret at his invalid state, and asked whether change of air might not be serviceable? "Ah! he said · I have tried that, and it was of no use. I was in France, at Boulogne, and in Paris, and the contrast between my re

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ception at Paris and here is painfully great. There I was made too much of. My soirees, which, unlike the extravagant parties in this country, I would give for about a dozen francs, lights, cakes, café, and eau sucré, forming the chief items in our bill of fare, were attended by the elite of the French capital. The nobles, by birth as by talents, took pleasure in attending. I found my health rapidly declining, and indeed I came home to die. My God! I shall never forget the humiliation of feeling I experienced on landing at Kingstown, Judging from the misery that every where met my sight, I felt as if the Irish had nothing to be proud of except their beggars.'

I described my ramble over the city that forenoon, and the interest which his tale of the Roman Merchant gave to the church-yard of St. Canice.

“That is a singular incident,' he replied, 'and well worthy of being wrought into three volumes, I wrote that tale one evening between dinner-time and tea. It is quite true. The stranger's tomb is in the wall, near the entrance.'

Banim now directed his servant to turn his steps towards the door, and, by the help of crutches, entered his dining. room. Here we were shortly joined by a gentle little girl, with pale, thoughtful face, and auburn hair, Banim's only child; she spoke but seldom during my stay, but her remarks betokened an intellect far beyond her years. She seemed a great pet of her father's, and no doubt the fervour of his genius communicated a warmth which caused her's to expand.

Of those we love, unconsciously we learn. Mrs. Baniin also entered, and I was introduced to her; she shewed great solicitude about her husband, enquiring how his drive agreed with him, and appeared obliged for my visit. She was evidently proud of the renown he had acquired, and felt every call the homage he had a right to receive. She spoke rather reproachfully of the conduct of his countrymen in general, who seemed to take little interest in the declining health of one who had done such honour to the soil.

Banim soon resumed his literary conversation, and we talked much of poets and poetry. He took down a volume and read part of Shelly's Faust, and I sat by entrancednever was poetry more eloquently written, and never was poetry more eloquently read. It was a glorious thing to hear such

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strains so sung.

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But of Ireland was the theme most upon his lips, and the love country glowed in his bosom ever and always. We have been sadly neglected,' he said, and the works which are written on this country, seldom give a correct notion of the people. Mrs. Hall writes too like Miss Mitford, and therefore too English to be correct. We want a cheap periodical.

I mentioned the Dublin University.

'It is a good magazine for the hands into which it falls, he replied, but too much devoted to party to be national.'

He repeated some of his own poetry-very touching and intensely Irish. I remembered an incident, he thought at the Clare Election, when two adverse factions were reconciled by the amicable meeting of the leaders long at variance. Banim wrote the following stanzas on the event, which he called The Old Man at the Altar:

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“An old man, he knelt at the Altar

His enemy's hand to take,
And at first his weak voice did falter

And his feeble limbs did shake,
For his only brave boy, his glory,

Had been stretched at the old man's feet,
A corpse, all so haggard and gory,

By the hand which he now must greet.
And soon the old man stopt speaking,

And rage which had not gone by,
From under his brow's came breaking

Up into his enemy's eye-
And now his limbs were not shaking

But his clenched hands his bosoin crossed.
And he looked a fierce wish to the taking

Revenge for the boy he lost.
But the old man he glanced around him

And thought of the place he was in,
And thought of the promise that bound him,

And thought that revenge was sin-
And then, crying tears, like a woman,

Your hand-he cried-aye, that hand,
And I do forgive you, foeman,

For the sake of our bleeding land !”

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When Messrs. Gunn and Cameron resolved to publish The Irish Penny Journal, they were anxious to engage the services of Banim, as a contributor ; the usual differences between author and publisher, monetary, arose, and bitter complaints were made by Banim, answered by declarations of the publishers, that he was irregular in his promised assistance.

Sick, weary, and irritable, Baniin became impatient, and enclosed the following letters to his ever faithful friend, Michael Staunton, then the Editor and Proprietor of The Dublin Morning Register :

Kilkenny, September 17, 1840. My dear Staunton,

Should you consider the accompanying letters fair matter for the notice of the Irish Press, I beg to leave them at your disposal.

Ever truly yours,

John BANIM.
M. Staunton Esq.

Office of the General Advertiser,

Dublin, 21st. August, 1840, Sir,-For anything new, and which will be suitable, we shall, if it be first-rate, pay as high a price as any one; more can hardly be expected from the publishers of such a work as ours.

When we commenced the PENNY JOURNAL, we certainly were foolish enough to suppose that “patriotism,' (that is the word) might possibly induce some oxe Irishman to aid us with his pen in our arduous undertaking—not certainly, gratuitously, but at a moderate rate. We have, liowever, already lived long enough to be undeceived.

We have, always, it is true, found Irishmen exceedingly kind in their professions of patriotism, and verbally, very fervent in their hopes, that every Irishman, capable of contributing to the PENNY JOURNAL, ought to aid us with his talents, and soforth. But we are constrained to say, that we have always found these loud professious coupled with an immediate demand for not only the highest price for their contributions, but a greedy desire to clutch as much as possible, from those who, if not more patriotic in reality than themselves, hare not had the disgusting hypocrisy to avow a feeling they did pot possess. It is not tlie demand for remuneration, for this

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