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and gold mines were worked in Tmolus itself, though by the time of Strabo the proceeds had become so small as hardly to pay for the expense of working them (Strabo xiii. 591). Maeonia on the east contained the curious barren plateau known to the Greeks as the Katakekaumenē ("Burnt country "), once a centre of volcanic disturbance. The Gygaean lake (where remains of pile dwellings have been found) still abounds with carp.

which enabled him to turn from elaborate epics to quite popular poems like the Mumming at Hertford, A Ditty of Women's Horns and London Lickpenny. The humour of this last is especially bright and effective, but, unluckily for the author, the piece is believed to have been retouched by some other hand. The longer efforts partake of the nature of translations from sundry medieval compilations like those of Guido di Colonna and Boccaccio, which are in Latin. See publications of the Early English Text Society, especially the Temple of Glass, edited by Dr Schick; Koeppel's Lydgate's Story of Thebes, eine Quellenuntersuchung (Munich, 1884), and the same Herodotus (i. 171) tells us that Lydus was a brother of Mysus scholar's Laurents de Premierfait und John Lydgates Bearbeitungen von and Car. The statement is on the whole borne out by the few Boccaccios De Casibus Illustrium Virorum (Munich, 1885); Warton's Lydian, Mysian and Carian words that have been preserved, as History of English Poetry; Ritson's Bibliotheca Anglo-Poetica; Furnivall's Political Poems (E. E. T. S.); and Sidney Lee's article well as by the general character of the civilization prevailing in the Dict. Nat. Biog. (F. J. S.) among the three nations. The race was probably a mixed one, LYDIA, in ancient geography, a district of Asia Minor, the consisting of aborigines and Aryan immigrants. It was characterboundaries of which it is difficult to fix, partly because they ized by industry and a commercial spirit, and, before the Persian varied at different epochs. The name is first found under the conquest, by bravery. The religion of the Lydians resembled form of Luddi in the inscriptions of the Assyrian king Assur- that of the other civilized nations of Asia Minor. It was a nature bani-pal, who received tribute from Gyges about 660 B.C. In worship, which at times became wild and sensuous. By the side Homer we read only of Maeonians (Il. ii. 865, v. 43, X. 431), and of the supreme god Medeus stood the sun-god Attis, as in Phrygia the place of the Lydian capital Sardis is taken by Hyde (II. xx. the chief object of the popular cult. He was at once the son and 385), unless this was the name of the district in which Sardis bridegroom of Cybele (q.v.) or Cybebe, the mother of the gods, stood (see Strabo xiii. p. 626).1 The earliest Greek writer who whose image carved by Broteas, son of Tantalus, was adored mentions the name is Mimnermus of Colophon, in the 37th on the cliffs of Sipylus (Paus. iii. 22). The cult may have been Olympiad. According to Herodotus (i. 7), the Meiones (called brought westward by the Hittites who have left memorials of Macones by other writers) were named Lydians after Lydus, the themselves in the pseudo-Sesostris figures of Kara-bel (between son of Attis, in the mythical epoch which preceded the rise of the Sardis and Ephesus) as well as in the figure of the MotherHeraclid dynasty. In historical times the Maeones were a tribe goddess, the so-called Niobe.. At Ephesus, where she was adored inhabiting the district of the upper Hermus, where a town called under the form of a meteoric stone, she was identified with the Maeonia existed (Pliny, N.H. v. 30; Hierocles, p. 670). The Greek Artemis (see also GREAT MOTHER OF THE GODS). Her Lydians must originally have been an allied tribe which bordered mural crown is first seen in the Hittite sculptures of Boghaz upon them to the north-west, and occupied the plain of Sardis or Keui (see PTERIA and HITTITES) on the Halys. The priestesses Magnesia at the foot of Tmolus and Sipylus. They were cut off by whom she was served are depicted in early art as armed with from the sea by the Greeks, who were in possession, not only of the the double-headed axe, and the dances they performed in her Bay of Smyrna, but also of the country north of Sipylus as far as honour with shield and bow gave rise to the myths which saw in Temnus in the pass (boghaz), through which the Hermus forces its them the Amazons, a nation of woman-warriors. The preway from the plain of Magnesia into its lower valley. In a Hellenic cities of the coast-Smyrna, Samorna (Ephesus), Homeric epigram the ridge north of the Hermus, on which the Myrina, Cyme, Priene and Pitane-were all of Amazonian origin, ruins of Temnus lie, is called Sardenē. Northward the Lydians and the first three of them have the same name as the Amazon extended at least as far as the Gygacán Lake (Lake Coloe, mod. Myrina, whose tomb was pointed out in the Troad. The prostiMermereh), and the Sardeně range (mod. Dumanli Dagh). The tution whereby the Lydian girls gained their dowries (Herod. i. plateau of the Bin Bir Tepe, on the southern shore of the Gygaean 93) was a religious exercise, as among the Semites, which marked Lake, was the chief burial-place of the inhabitants of Sardis, and their devotion to the goddess Cybele. In the legend of Heracles, is still thickly studded with tumuli, among which is the "tomb Omphale takes the place of Cybele, and was perhaps her Lydian of Alyattes" (260 ft. high). Next to Sardis the chief city was title. Heracles is here the sun-god Attis in a new form; his Magnesia ad Sipylum (q.v.), in the neighbourhood of which is the Lydian name is unknown, since E. Meyer has shown (Zeitschr. d. famous seated figure of " Niobe" (Il. xxiv. 614-617), cut out of the Morg. Gesell. xxxi. 4) that Sandon belongs not to Lydia but to rock, and probably intended to represent the goddess Cybele, to Cilicia. By the side of Attis stood Manes or Men, identified later which the Greeks attached their legend of Niobe. According to with the Moon-god. Pliny (v. 31), Tantalis, afterwards swallowed up by earthquake in the pool Sale or Saloe, was the ancient name of Sipylus and "the capital of Maeonia" (Paus. vii. 24; Strabo xii. 579). Under the Heraclid dynasty the limits of Lydia must have been already extended, since according to Strabo (xiii. 590), the authority of Gyges reached as far as the Troad. Under the Mermnads Lydia became a maritime as well as an inland power. The Greek cities were conquered, and the coast of Ionia included within the Lydian kingdom. The successes of Alyattes and of Croesus finally changed the Lydian kingdom into a Lydian empire, and all Asia Minor westward of the Halys, except Lycia, owned the supremacy of Sardis. Lydia never again shrank back into its original dimensions. After the Persian conquest the Maeander was regarded as its southern boundary, and in the Roman period it comprised the country between Mysia and Caria on the one side and Phrygia and the Aegean on the other.

Lydia proper was exceedingly fertile. The hill-sides were clothed with vine and fir, and the rich broad plain of Hermus produced large quantities of corn and saffron. The climate of the plain was soft but healthy, though the country was subject to frequent earthquakes. The Pactolus, which flowed from the fountain of Tarnē in the Tmolus mountains, through the centre of Sardis, into the Hermus, was believed to be full of golden sand; 1 Pliny (v. 30) makes it the Maeonian name. RS

2 See Sir W. M. Ramsay in the Journal of Hellenic Studies, ii. 2.

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According to the native historian Xanthus (460 B.C.) three dynasties ruled in succession over Lydia. The first, that of the Attiads, is mythical. It was headed by a god, and included geographical personages like Lydus, Asies and Meles, or such heroes of folk-lore as Cambletes, who devoured his wife. To this mythical age belongs the colony which, according to Herodotus (i. 94), Tyrsenus, the son of Attis, led to Etruria. Xanthus, however, puts Torrhebus in the place of Tyrsenus, and makes him the eponym of a district in Lydia. It is doubtful whether Xanthus recognized the Greek legends which brought Pelops from Lydia, or rather Maeonia, and made him the son of Tantalus. The second dynasty was also of divine origin, but the names which head it prove its connexion with the distant East. Its founder, a descendant of Heracles and Omphale, was, Herodotus tells us (i. 7), a son of Ninus and grandson of Belus. The Assyrian inscriptions have shown that the Assyrians had never crossed the Halys, much less known the name of Lydia, before the age of Assur-bani-pal, and consequently the theory which brought the Heraclids from Nineveh must be given up. But the Hittites, another Oriental people, deeply imbued with the elements of Babylonian culture, had overrun Asia Minor and established themselves on the shores of the Aegean before the reign of the Egyptian king Rameses II.

The subject allies who then fight under their banners include the Masu or Mysians and the Dardani of the Troad, while the

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Hittites have left memorials in Lydia. G. Dennis discovered an inscription in Hittite hieroglyphics attached to the figure of "Niobe" on Sipylus, and a similar inscription accompanies the figure (in which Herodotus, ii. 106, wished to see Sesostris or Rameses II.) in the pass of Karabel. We learn from Eusebius that Sardis was first captured by the Cimmerii 1078 B.C.; and since it was four centuries later before the real Cimmerii (q.v.) appeared on the horizon of history, we may perhaps find in the statement a tradition of the Hittite conquest. As the authority of the Hittite satraps at Sardis began to decay the Heraclid dynasty arose. According to Xanthus, Sadyattes and Lixus were the successors of Tylon the son of Omphale. After lasting five hundred and five years, the dynasty came to an end in the person of Sadyattes, as he is called by Nicolas of Damascus, whose account is doubtless derived from Xanthus. The name Candaules, given him by Herodotus, meant dog strangler" and was a title of the Lydian Hermes. Gyges (q.v.) put him to death and established the dynasty of the Mermnads, 687 B.C. Gyges initiated a new policy, that of making Lydia a maritime power; but towards the middle of his reign the kingdom was overrun by the Cimmerii. The lower town of Sardis was taken, and Gyges sent tribute to Assur-bani-pal, as well as two Cimmerian chieftains he had himself captured in battle. A few years later Gyges joined in the revolt against Assyria, and the Ionic and Carian mercenaries he despatched to Egypt enabled Psammetichus to make himself independent. Assyria, however, was soon avenged. The Cimmerian hordes returned, Gyges was slain in battle (652 B.C.), and Ardys his son and successor returned to his allegiance to Nineveh. The second capture of Sardis on this occasion was alluded to by Callisthenes (Strabo xiii. 627). Alyattes, the grandson of Ardys, finally succeeded in extirpating the Cimmerii, as well as in taking Smyrna, and thus providing his kingdom with a port. The trade and wealth of Lydia rapidly increased, and the Greek towns fell one after the other before the attacks of the Lydian kings. Alyattes's long reign of fifty-seven years saw the foundation of the Lydian empire. All Asia Minor west of the Halys acknowledged his sway, and the six years' contest he carried on with the Medes was closed by the marriage of his daughter Aryenis to Astyages. The Greek cities were allowed to retain their own institutions and government on condition of paying taxes and dues to the Lydian monarch, and the proceeds of their commerce thus flowed into the imperial exchequer. The result was that the king of Lydia became the richest prince of his age. Alyattes was succeeded by Croesus (q.v.), who had probably already for some years shared the royal power with his father, or perhaps grandfather, as V. Floigl thinks (Geschichte des semitischen Alterthums, p. 20). He reigned alone only fifteen years, Cyrus the Persian, after an indecisive battle on the Halys, marching upon Sardis, and capturing both acropolis and monarch (546 B.C.). The place where the acropolis was entered was believed to have been overlooked by the mythical Meles when he carried the lion round his fortress to make it invulnerable; it was really a path opened by one of the landslips, which have reduced the sandstone cliff of the acropolis to a mere shell, and threaten to carry it altogether into the plain below. The revolt of the Lydians under Pactyas, whom Cyrus had appointed to collect the taxes, caused the Persian king to disarm them, though we can hardly credit the statement that by this measure their warlike spirit was crushed. Sardis now became the western capital of the Persian empire, and its burning by the Athenians was the indirect cause of the Persian War. After Alexander the Great's death, Lydia passed to Antigonus; then Achaeus made himself king at Sardis, but was defeated and put to death by Antiochus. The country was presented by the Romans to Eumenes, and subsequently formed part of the proconsular province of Asia. By the time of Strabo (xiii. 631) its old language was entirely supplanted by Greek.

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The Lydian empire may be described as the industrial power of the ancient world. The Lydians were credited with being the inventors, not only of games such as dice, huckle-bones and ball (Herod. i. 94), but also of coined money. The oldest known coins are the electrum coins of the earlier Mermnads (Madden, Coins of the Jews, pp. 19-21), stamped on one side with a lion's head or the

figure of a king with bow and quiver; these were replaced by Croesus probably due the earliest gold coins of Ephesus (Head, Coinage of with a coinage of pure gold and silver. To the latter monarch were Ephesus, p. 16). The electrum coins of Lydia were of two kinds, one weighing 168-4 grains for the inland trade, and another of 224 grains for the trade with Ionia. The standard was the silver mína of Carchemish (as the Assyrians called it) which contained 8656 grains. Originally derived by the Hittites from Babylonia, but modified by themselves, this standard was passed on to the nations of Asia Minor during the period of Hittite conquest, but was eventually superseded by the Phoenician mina of 11,225 grains, and continued inns, which the Lydians were said to have been the first to establish to survive only in Cyprus and Cilicia (see also NUMISMATICS). The (Herod. i. 94), were connected with their attention to commercial pursuits. Their literature has wholly perished. They were celebrated for their music and gymnastic exercises, and their art formed a link between that of Asia Minor and that of Greece. R. Heberdey's belong to the history of Greek and not native art. The ivory figures, excavations at Ephesus since 1896, like those of D. G. Hogarth in 1905, however, found by Hogarth on the level of the earliest temple of Artemis show Asiatic influence, and resemble the so-called "Phoenician " ivories from the palace of Sargon at Calah (Nimrud). For a description of a pectoral of white gold, ornamented with the heads of animals, human faces and the figure of a goddess, discovered in a tomb on Tmolus, see Academy, January 15, 1881, p. 45. Lydian sculpture was probably similar to that of the Phrygians. Phallic emblems, for averting evil, were plentiful; the summit of the tomb of Alyattes is crowned with an enormous one of stone, about 9 ft. in diameter. The tumulus itself is 281 yds. in diameter and about half a mile in circumference. It has been partially excavated by G. Spiegelthal and G. Dennis, and a sepulchral chamber discovered in the middle, composed of large well-cut and highly polished blocks of marble, the chamber being 11 ft. long, nearly 8 ft. broad and 7 ft. high. Nothing was found in it except a few ashes and a broken vase of Egyptian alabaster. The stone basement which, according to Herodotus, formerly surrounded the mound has disappeared.

BIBLIOGRAPHY-A. von Ölfers, Über die lydischen Königsgräber bei Sardes (1858); H. Gelzer in the Rheinisches Museum (1874); R. Schubert, Geschichte der Könige von Lydien (1884); G. Perrot and C. Chipiez, Histoire de l'art dans l'antiquité, v. (1890); O. Radet, La Lydie et le monde grec au temps des Mermnades (1893); G. Maspero, Dawn of Civilization, pp. 232-301 (1892) and Passing of the Empires, pp. 339, 388, 603-621 (1900); J. Keil and A. von Premerstein, Bericht über eine Reise in Lydien (1908). (A. H. S.)

LYDUS (“THE LYDIAN "), JOANNES LAURENTIUS, Byzantine writer on antiquarian subjects, was born at Philadelphia in Lydia about A.D. 490. At an early age he set out to seek his fortune in Constantinople, and held high court and state offices under Anastasius and Justinian. In 552 he lost favour, and was dismissed. The date of his death is not known, but he was probably alive during the early years of Justin II. (reigned 565– 578), During his retirement he occupied himself in the compilation of works on the antiquities of Rome, three of which have been preserved: (1) De Ostentis (epi diooner), on the origin and progress of the art of divination; (2) De Magistratibus reipublicae Romanae (IIepi ȧpxwv TS Pwμaiwv TоMITEías), especially valuable for the administrative details of the time of Justinian; (3) De Mensibus (Hepi unvov), a history of the different festivals of the year. The chief value of these books consists in the fact that the author made use of the works (now lost) of old Roman writers on similar subjects. Lydus was also commissioned by Justinian to compose a panegyric on the emperor, and a history of his successful campaign against Persia; but these, as well as some poetical compositions, are lost.

Editions of (1) by C. Wachsmuth (1897), with full account of the authorities in the prolegomena; of (2) and (3) by R. Wünsch (18981903); see also the essay by C. B. Hase (the first editor of the De Ostentis) prefixed to I. Bekker's edition of Lydus (1837) in the Bonn Corpus scriptorum hist. Byzantinae.

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LYE (O. Eng. léag, cf. Dutch loog, Ger. Lauge, from the root meaning to wash, see in Lat. lavare, and Eng. 'lather," froth of soap and water, and "laundry "), the name given to the solution of alkaline salts obtained by leaching or lixiviating wood ashes with water, and sometimes to a solution of a caustic alkali. Lixiviation (Lat. lixivium, lye, lix, ashes) is the action of separat+ ing, by the percolation of water, a soluble from an insoluble substance. "Leaching," the native English term for this process, is from "leach," to water, the root probably being the same as in "lake."

LYELL, SIR CHARLES (1797-1875), British geologist, was the eldest son of Charles Lyell of Kinnordy, Forfarshire, and

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was born on the 14th of November 1797, on the family estate in | married Mary (1809-1873) eldest daughter of Leonard Horner Scotland. His father (1767-1849) was known both as a botanist and as the translator of the Vita Nuova and the Convito of Dante: the plant Lyellia was named after him. From his boyhood Lyell had a strong inclination for natural history, especially entomology, a taste which he cultivated at Bartley Lodge in the New Forest, to which his family had removed soon after his birth. In 1816 he entered Exeter College, Oxford, where the lectures of Dr Buckland first drew his attention to geological study. After taking his degree of B.A. in 1819 (M.A. in 1821) he entered Lincoln's Inn, and in 1825, after a delay caused by chronic weakness of the eyes, he was called to the bar, and went on the western circuit for two years. During this time he was slowly gravitating towards the life of a student of science. In 1819 he had been elected a fellow of the Linnean and Geological Societies, communicating his first paper, " On a Recent Formation of Freshwater Limestone in Forfarshire," to the latter society in 1822, and acting as one of the honorary secretaries in 1823. In that year he went to France, with introductions to Cuvier, Humboldt and other men of science, and in 1824 made a geological tour in Scotland in company with Dr Buckland. In 1826 he was elected a fellow of the Royal Society, from which in later years he received both the Copley and Royal medals; and in 1827 he finally abandoned the legal profession, and devoted himself to geology.

At this time he had already begun to plan his chief work, The Principles of Geology. The subsidiary title, "An Attempt to Explain the Former Changes of the Earth's Surface by Reference to Causes now in Operation," gives the keynote of the task to which Lyell devoted his life. A journey with Murchison in 1828 gave rise to joint papers on the volcanic district of Auvergne and the Tertiary formations of Aix-en-Provence. After parting with Murchison he studied the marine remains of the Italian Tertiary Strata and then conceived the idea of dividing this geological system into three or four groups, characterized by the proportion of recent to extinct species of shells. To these groups, after consulting Dr Whewell as to the best nomenclature, he gave the names now universally adopted-Eocene (dawn of recent), Miocene (less of recent), and Pliocene (more of recent); and with the assistance of G. P. Deshayes he drew up a table of shells in illustration of this classification. The first volume of the Principles of Geology appeared in 1830, and the second in January 1832. Received at first with some opposition, so far as its leading theory was concerned, the work had ultimately a great success, and the two volumes had already reached a second edition in 1833 when the third, dealing with the successive formations of the earth's crust, was added. Between 1830 and 1872 eleven editions of this work were published, each so much enriched with new material and the results of riper thought as to form a complete history of the progress of geology during that interval. Only a few days before his death Sir Charles finished revising the first volume of the 12th edition; the revision of the second volume was completed by his nephew Mr (after wards Sir) Leonard Lyell; and the work appeared in 1876.

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In August 1838 Lyell published the Elements of Geology, which, from being originally an expansion of one section of the Principles, became a standard work on stratigraphical and palaeontological geology. This book went through six editions in Lyell's lifetime (some intermediate editions being styled Manual of Elementary Geology), and in 1871 a smaller work, the Student's Elements of Geology, was based upon it. His third great work, The Antiquity of Man, appeared in 1863, and ran through three editions in one year. In this he gave a general survey of the arguments for man's early appearance on the earth, derived from the discoveries of flint implements in post-Pliocene strata in the Somme valley and elsewhere; he discussed also the deposits of the Glacial epoch, and in the same volume he first gave in his adhesion to Darwin's theory of the origin of species. A fourth edition appeared in 1873

In 1831-1833 Lyell was professor of geology at King's College, London, and delivered while there a course of lectures, which became the foundation of the Elements of Geology. In 1832 he

(q.v.), and she became thenceforward associated with him in
all his work, and by her social qualities making his home a centre
of attraction. In 1834 he made an excursion to Denmark and
Sweden, the result of which was his Bakerian lecture to the
Royal Society "On the Proofs of the gradual Rising of Land
in certain Parts of Sweden." He also brought before the
Geological Society a paper "On the Cretaceous and Tertiary
Strata of Seeland and Möen." In 1835 he became president
of the Geological Society. In 1837 he was again in Norway
and Denmark, and in 1841 he spent a year in travelling through
the United States, Canada and Nova Scotia. This last journey,
together with a second one to America in 1845, resulted not only
in papers, but also in two works not exclusively geological,
Travels in North America (1845) and A Second Visit to the United
States (1849). During these journeys he estimated the rate of
recession of the falls of Niagara, the annual average accumulation
of alluvial matter in the delta of the Mississippi, and studied
those vegetable accumulations in the "Great Dismal Swamp"
of Virginia, which he afterwards used in illustrating the forma-
tion of beds of coal. He also studied the coal-formations in
Nova Scotia, and discovered in company with Dr (afterwards Sir
J. W.) Dawson (q.v.) of Montreal, the earliest known landshell,
Pupa vetusta, in the hollow stem of a Sigillaria. In bringing
a knowledge of European geology to bear upon the extended
formations of North America Lyell rendered immense service.
Having visited Madeira and Teneriffe,
in company with
G. Hartung, he accumulated much valuable evidence on the age
and deposition of lava-beds and the formation of volcanic cones.
He also revisited Sicily in 1858, when he made such observations
upon the structure of Etna as refuted the theory of craters
of elevation "upheld by Von Buch and Elie de Beaumont (see
Phil. Trans., 1859).

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Lyell was knighted in 1848, and was created a baronet in 1864, in which year he was president of the British Association at Bath. He was elected corresponding member of the French Institute and of the Royal Academy of Sciences at Berlin, and was created a knight of the Prussian Order of Merit.

During the later years of his life his sight, always weak, failed him altogether. He died on the 22nd of February 1875, and was buried in Westminster Abbey. Among his characteristics were his great thirst for knowledge, his perfect fairness and sound judgment; while the extreme freshness of his mind enabled him to accept and appreciate the work of younger

men.

The LYELL MEDAL, established in 1875 under the will of Sir Charles Lyell, is cast in bronze and is to be awarded annually (or from time to time) by the Council of the Geological Society. The medallist may be of any country or either sex. Not less than one-third of the annual interest of a sum of £2000 is to be awarded with the medal; the remaining interest, known as the LYELL GEOLOGICAL FUND, is to be given in one or more portions at the discretion of the Council for the encouragement of geological science.

See Life, Letters and Journals of Sir Charles Lyell, Bart., edited by his sister-in-law, Mrs Lyell (2 vols., 1881); Charles Lyell and Modern Geology, by T. G. Bonney (1895). (H. B. Wo.)·

LYLY (LILLY, or LYLIE), JOHN (1553-1606), English writer, the famous author of Euphues, was born in Kent in 1553 or 1554. At the age of sixteen, according to Wood, he became a student of Magdalen College, Oxford, where in due time he proceeded to his bachelor's and master's degrees (1573 and 1575), and from whence we find him in 1574 applying to Lord Burghley "for the queen's letters to Magdalen College to admit him fellow." The fellowship, however, was not granted, and Lyly shortly after left the university. He complains of what seems to have been a sentence of rustication passed upon him at some period in his academical career, in his address to the gentlemen scholars of Oxford affixed to the second edition of the first part of Euphues, but in the absence of any further evidence it is impossible to fix either its date or its cause. If we are to believe Wood, he never took kindly to the proper studies of the university. so it was that his genius being naturally bent to the pleasant paths of poetry (as if Apollo had given to him a wreath of his own bays without snatching or struggling) did in a manner

For

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may be inferred from the second petition of 1593. Thirteen yeres your highnes servant but yet nothing. Twenty freinds that though they saye they will be sure, finde them sure to be slowe. A thousand hopes, but all nothing; a hundred promises but yet nothing. Thus casting up the inventory of my friends, hopes, promises and tymes, the summa totalis amounteth to just nothing." What may have been Lyly's subsequent fortunes at court we do not know. Edmund Blount says vaguely that Elizabeth "graced and rewarded" him, but of this there is no other evidence. After 1590 his works steadily declined in influence and reputation; other stars were in possession of the horizon; and so far as we know he died poor and neglected in the early part of James I.'s reign. He was buried in London at St Bartholomew the Less on the 20th of November, 1606. He was married, and we hear of two sons and a daughter.

Comedies. In 1632 Edmund Blount published "Six Court Comedies," including Endymion (1591), Sappho and Phao (1584), Alexander and Campaspe (1584), Midas (1592), Mother Bombie (1594) and Gallathea (1592). To these should be added the Woman in the Moone (Lyly's earliest play, to judge from a passage in the prologue and therefore earlier than 1584, the date of Alexander and Campaspe), and Love's Metamorphosis, first printed in 1601. Of these, all but the last are in prose. A Warning for Faire Women (1599) and The Maid's Metamorphosis (1600) have been attributed to Lyly, but on altogether insufficient grounds. The first editions of all these plays were issued between 1584 and 1601, and the majority of them between 1584 and 1592, in what were Lyly's most successful and popular years. His importance as a dramatist has been very differently estimated. Lyly's dialogue is still a long way removed from the dialogue of Shakespeare. But at the same time it is a great advance in rapidity and resource upon anything which had gone before it; it represents an important step in English dramatic art. His nimbleness, and the wit which struggles with his pedantry, found their full development in the dialogue of Twelfth Night and Much Ado about Nothing, just as "Marlowe's mighty line" led up to and was eclipsed by the majesty and music of Shakespearian passion. One or two of the songs introduced into his plays are justly famous and show a real lyrical gift. Nor in estimating his dramatic position and his effect upon his time must it be forgotten that his classical and mythological plots, flavourless and dull as they would be to a modern audience, were charged with interest to those courtly hearers who saw in Midas Philip II., Elizabeth in Cynthia and perhaps Leicester's unwelcome marriage with Lady Sheffield in the love affair between Endymion and Tellus which brings the former under Cynthia's displeasure. As a matter of fact his reputation and popularity as a play-writer were considerable. Gabriel Harvey dreaded lest Lyly should make a play upon their quarrel; Meres, as is well known, places him among "the best for comedy "; and Ben Jonson names him among those foremost rivals who were outshone and outsung by Shakespeare.

neglect academical studies, yet not so much but that he took | Lyly's petition brought him no compensation in other directions the degrees in arts, that of master being compleated 1575." After he left Oxford, where he had already the reputation of a noted wit," Lyly seems to have attached himself to Lord Burghley. This noble man," he writes in the " Glasse for Europe," in the second part of Euphues (1580), “I found so ready being but a straunger to do me good, that neyther I ought to forget him, neyther cease to pray for him, that as he hath the wisdom of Nestor, so he may have the age, that having the policies of Ulysses he may have his honor, worthy to lyve long, by whom | so many lyve in quiet, and not unworthy to be advaunced by whose care so many have been preferred." Two years later we possess a letter of Lyly to the treasurer, dated July 1582, in which the writer protests against some accusation of dishonesty which had brought him into trouble with his patron, and demands a personal interview for the purpose of clearing his character. What the further relations beween them were we have no means of knowing, but it is clear that neither from Burghley nor from the queen did Lyly ever receive any substantial patronage. In 1578 he began his literary career by the composition of Euphues, or the Anatomy of Wit, which was licensed to Gabriel Cawood on the 2nd of December, 1578, and published in the spring of 1579. In the same year the author was incorporated M.A. at Cambridge, and possibly saw his hopes of court advancement dashed by the appointment in July of Edmund Tylney to the office of master of the revels, a post at which, as he reminds the queen some years later, he had all along been encouraged to "aim his courses." Euphues and his England appeared in 1580, and, like the first part of the book, won immediate popularity. For a time Lyly was the most successful and fashionable of English writers. He was hailed as the author of "a new English," as a " raffineur de l'Anglois "; and, as Edmund Blount, the editor of his plays, tells us in 1632, "that beautie in court which could not parley Euphuism was as little regarded as she which nowe there speakes not French." After the publication of Euphues, however, Lyly seems to have entirely deserted the novel form himself, which passed into the hands of his imitators, and to have thrown himself almost exclusively into play-writing, probably with a view to the mastership of revels whenever a vacancy should occur. Eight plays by him were probably acted before the queen by the children of the Chapel Royal and the children of St Paul's between the years 1584 and 1589, one or two of them being repeated before a popular audience at the Blackfriars Theatre. Their brisk lively dialogue, classical colour and frequent allusions to persons and events of the day maintained that popularity with the court which Euphues had won. Lyly sat in parliament as member for Hindon in 1589, for Aylesbury in 1593, for Appleby in 1597 and for Aylesbury a second time in 1601. In 1589 Lyly published a tract in the Martin Marprelate controversy, called Pappe with an hatchet, alias a figge for my Godsonne; Or Crack me this nut; Or a Countrie Cuffe, &c.1 About the same time we may probably date his first petition to Queen Elizabeth. The two petitions, transcripts of which are extant among the Harleian MSS., are undated, but in the first of them he speaks of having been ten years hanging about the court in hope of preferment, and in the second he extends the period to thirteen years. It may be conjectured with great probability that the ten years date from 1579, when Edmund Tylney was appointed master of the revels with a tacit understanding that Lyly was to have the next reversion of the post. "I was entertained your Majestie's servaunt by your own gratious favor," he says, "strengthened with condicions that I should ayme all my courses at the Revells (I dare not say with a promise, but with a hopeful Item to the Revercion) for which these ten yeres I have attended with an unwearyed patience." But in 1589 or 1590 the mastership of the revels was as far off as everTylney in fact held the post for thirty-one years-and that The evidence for his authorship may be found in Gabriel Harvey's Pierce's Supererogation (written November 1589, published 1593), in Nash's Have with you to Saffron Walden (1596), and in various allusions in Lyly's own plays. See Fairholt's Dramatic Works of John Lilly, i. 20.

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Euphues. It was not, however, as a dramatist, but as the author of Euphues, that Lyly made most mark upon the Elizabethan world. His plays amused the court circle, but the new English" of his novel threatened to permanently change the course of English style. The plot of Euphues is extremely simple. The hero, whose name may very possibly have been suggested by a passage in Ascham's Schoolmaster, is introduced to us as still in bondage to the follies of youth, “ preferring fancy before friends, and this present humour before honour to come." His travels bring him to Naples, where he falls in love with Lucilla, the governor's light-minded daughter. Lucilla is already pledged to Euphues's friend Philautus, but Euphues's passion betrays his friendship, and the old lover finds himself thrown over by both friend and mistress. Euphues himself, however, is very soon forsaken for a more attractive suitor. He and Philautus make up their quarrel, and Euphues writes his friend "a cooling card," to be "applied to all lovers," which is so severe upon the fair sex that Lyly feels it necessary to balance it by a sort of apology addressed" to the grave matrons

and honest maidens of Italy." Euphues then leaves Naples for his native Athens, where he gives himself up to study, of which the first fruits are two long treatises-the first, "Euphues and his Ephoebus," a disquisition on the art of education addressed to parents, and the second, "Euphues and Atheos," a discussion of the first principles of religion. The remainder of the book is filled up with correspondence between Euphues and his friends. We have letters from Euphues to Philautus on the death of Lucilla, to another friend on the death of his daughter, to one Botonio " to take his exile patiently," and to the youth Alcius, remonstrating with him on his bad behaviour at the university. Finally a pair of letters, the first from Livia at the emperour's court to Euphues at Athens," answered by "Euphues to Livia," wind up the first part, and announce to us Euphues's intention of visiting England. An address from Lyly to Lord Delawarr is affixed, to which was added in the second edition "An Address to the Gentlemen Scholars of England."

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Euphues and his England is rather longer than the first part. Euphues and Philautus travel from Naples to England. They arrive at Dover, halt for the night at Fidus's house at Canterbury, and then proceed to London, where they make acquaintance with Surius, a young English gentleman of great birth and noble blood; Psellus, an Italian nobleman reputed "great in magick "; Martius, an elderly Englishman; Camilla, a beautiful English girl of insignificant family; Lady Flavia and her niece Fraunces. After endless correspondence and conversation on all kinds of topics, Euphues is recalled to Athens, and from there corresponds with his friends. "Euphues' Glasse for Europe is a flattering description of England sent to Livia at Naples. It is the most interesting portion of the book, and throws light upon one or two points of Lyly's own biography. The author naturally seized the opportunity for paying his inevitable tribute to the queen, and pays it in his most exalted style. "O fortunate England that hath such a queene, ungratefull if thou praye not for hir, wicked if thou do not love hir, miserable if thou lose hir!"-and so on. The book ends with Philautus's announcement of his marriage to Fraunces, upon which Euphues sends characteristic congratulations and retires, tormented in body and grieved in mind," to the Mount of Silexedra, "where I leave him to his musing or Muses."

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Such is a brief outline of the book which for a time set the fashion for English prose. Two editions of each part appeared within the first year after publication, and thirteen editions of both are enumerated up to 1636, after which, with the exception of a modernized version in 1718, Euphues was never reprinted until 1868, when Dr Arber took it in hand. The reasons for its popularity are not far to seek. As far as matter was concerned it fell in with all the prevailing literary fashions. Its long disquisitions on love, religion, exile, women or education, on court life and country pleasures, handled all the most favourite topics in the secularized speculation of the time; its foreign background and travel talk pleased a society of which Lyly himself said trafic and travel hath woven the nature of all nations into ours and made this land like arras full of device which was broadcloth full of workmanship"; and, although Lyly steered clear in it of the worst classical pedantries of the day, the book was more than sufficiently steeped in classical learning, and based upon classical material, to attract a literary circle which was nothing if not humanist. A large proportion of its matter indeed was drawn from classical sources. general tone of sententious moralizing may be traced to Plutarch, from whom the treatise on education, "Euphues and his Ephoebus," and that on exile, "Letter to Botonio to take his exile patiently," are literally translated, as well as a number of other shorter passages either taken direct from the Latin versions or from some of the numerous English translations of Plutarch then current. The innumerable illustrations based upon a kind of pseudo natural history are largely taken from Pliny, while the mythology is that of Virgil and Ovid.

The

It was not the matter of Euphues, however, so much as the style which made it famous (see EUPHUISM). The source of Lyly's

peculiar style has been traced by Dr Landmann (Der Euphuismus, sein Wesen, seine Quelle, seine Geschichte, &c. Giessen, 1881) to the influence of Don Antonio de Guevara, whose Libro Aureo de Marco Aurelio (1529)—a sort of historical romance based upon Plutarch and upon Marcus Aurelius's Meditations, the object of which was to produce a "mirror for princes," of the kind so popular throughout the Renaissance--became almost immediately popular in England. The first edition, or rather a French version of it, was translated into English by Lord Berners in 1531, and published in 1534. Before 1560 twelve editions of Lord Berners's translation had been printed, and before 1578 six different translators of this and later works of Guevara had appeared. The translation, however, which had most influence upon English literature was that by North, the well-known translator of Plutarch, in 1557, called The Dial for Princes, Compiled by the Reverend Father in God Don Antony of Guevara, Byshop of Guadix, &c., Englished out of the Frenche by Th. North. The sententious and antithetical style of the Dial for Princes is substantially that of Euphues, though Guevara on the whole handles it better than his imitator, and has many passages of real force and dignity. The general plan of the two books is also much the same. In both the biography is merely a peg on which to hang moral disquisitions and treatises. The use made of letters is the same in both. Even the names of some of the characters are similar. Thus Guevara's Lucilla is the flighty daughter of Marcus Aurelius. Lyly's Lucilla is the flighty daughter of Ferardo, governor of Naples; Guevara's Livia is a lady at the court of Marcus Aurelius, Lyly's Livia is a lady at the court" of the emperor," of whom no further description is given. The 9th, 10th, 11th and 12th chapters of the Dial for Princes suggested the discussion between Euphues and Atheos. The letter from Euphues to Alcius is substantially the same in subject and treatment as that from Marcus Aurelius to his nephew Epesipo. Both Guevara and Lyly translated Plutarch's work De educatione liberorum, Lyly, however, keeping closer than the Spanish author to the original. The use made by Lyly of the university of Athens was an anachronism in a novel intended to describe his own time. He borrowed it, however, from Guevara, in whose book a university of Athens was of course entirely in place. The "cooling card for all fond lovers" and the address to the ladies and gentlemen of Italy have their counterparts among the miscellaneous letters by Guevara affixed by North to the Dial for Princes; and other instances of Lyly's use of these letters, and of two other treatises by Guevara on court and country life, could be pointed out.

Lyly was not the first to appropriate and develop the Guevaristic style. The earliest book in which it was fully adopted was A petite Pallace of Pettie his Pleasure, by George Pettie, which appeared in 1576, a production so closely akin to Euphues in tone and style that it is difficult to believe it was not by Lyly. Lyly, however, carried the style to its highest point, and made it the dominant literary fashion. His principal followers in it were Greene, Lodge and Nash, his principal opponent Sir Philip Sidney; the Arcadia in fact supplanted Euphues, and the Euphuistic taste proper may be said to have died out about 1590 after a reign of some twelve years. According to Landmann, Shakespeare's Love's Labour Lost is a caricature of the Italianate and pedantic fashions of the day, not of the peculiar style of Euphues. The only certain allusion in Shakespeare to the characteristics of Lyly's famous book is to be found in Henry IV., where Falstaff, playing the part of the king, says to Prince Hal, "Harry, I do not only marvel where thou spendest thy time, but also how thou art accompanied; for, though the camomile the more it is trodden on the faster it grows, yet youth the more it is wasted the sooner it wears." Here the pompous antithesis is evidently meant to caricature the peculiar Euphuistic sentence of court parlance. (M. A. W.)

See Lyly's Complete Works, ed. R. W. Bond (3 vols., 1902); Euphues, from early editions, by Edward Arber (1868); A. W. Ward, English Dramatic Literature, i. 151; J. P. Collier, History of Dramatic Jahrbuch der deutschen Shakesp. Gesellschaft, vols. vii. and viii. (1872, Poetry, iii. 172; " John Lilly and Shakespeare," by C. C. Hense in the 1873); F. W. Fairholt, Dramatic Works of John Lilly (2 vols., XVII. 6

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