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ALL the nations of the earth praise liberty, and still they seem to be uneasy until they lose it.

How can we ask others to think as we do, when tomorrow we probably shall think differently ourselves?

WITH all her natural modesty, woman has less bashfulness than man.

JUSTICE is every man's due, but would ruin most people.

OPINIONS quite often are a mere compromise between what a inan does n't know and what he guesses at.

THERE is nothing that has been praised or abused more than liberty.

THOSE who live to be a century old are generally most remarkable for nothing else.

To be a successful fool, a man must be more wise than foolish.

A Confession.

Uncle Esek.

Do you remember, little wife,
How years ago we two together
Saw naught but love illumine life
In sunny days or winter weather?

Do you recall in younger years
To part a day was bitter pain?
Love's light was hid in clouds of tears
Till meeting cleared the sky again.

Do you remember how we two

Would stare into each other's eyes, Till all the earth grew heavenly blue And speech was lost in happy sighs?

Do you another thing recall,

That used to happen often then : How simply meeting in the hall,

We 'd stop to smile and kiss again?

Do you remember how I sat

And, reading, held your hand in mine, Caressing it with gentle pat

One pat for every blessed line?

Do you recall how at the play

Through hours of agony we tarried? The lovers' griefs brought us dismay; Oh! we rejoiced when they were married;

And then walked homeward arm in arm,
Beneath the crescent moonlet new,
That smiled on us with silent charm;
So glad that we were married too.

Ah me! 't was years and years ago
When all this happened that I sing,
And many a time the winter snow

Has slipped from olive slopes of spring.

And now oh, nonsense! let us tell;
A fig for laugh of maids or men!
You'll hide your blushes? I'll not. Well -
We're ten times worse than we were then.

W. J. Henderson.

A Vis-à-Vis.

ACROSS the street I look and see
A face whose graceful outline
Makes my poor beating heart to be
A trout upon love's trout-line.
The gauzy curtains half eclipse
This star of girlish creatures,
Yet oft I catch a smile that slips
In ripples o'er her features.

And through my window oftentimes,
While I alone am sitting,
Lost in a labyrinth of rhymes,
I find a sunbeam flitting
Across the sheet whereon I write,
Like some golden-haloed spirit:
And though her face is out of sight,
Her soul, I know, is near it.

Her presence makes the laggard ink
Run happily to greet her;

I never have to pause to think
Of proper rhyme or meter;
If 't is a word I need, one glance
At her fair features puts it
Upon the sheet in rhythmic dance
Where Fancy lightly foots it.

O charming Vis-à-Vis of mine,
Who lighten so my labors,

I would that you might draw the line
And make us nearer neighbors.
To keep my simile: the fish

Would willingly be taken;

The tempting bait but makes him wish To leave his friends forsaken.

Again across the street I look,

Alas, you 've drawn the curtain,
And I am left upon the hook
Of sentiment uncertain;
Compelled to leave my rhyme and live
In shadow and confusion,

Until once more you come to give
The light of a conclusion.

Frank Dempster Sherman.

To a Poet in "Bric-à-Brac."

WHEN we, the ungifted of our time, Who dare not up Parnassus climb, And cannot even make a rhyme

"With pen and ink,'

Take up THE CENTURY, fresh from press, To what page first-just try to guessTurn we with greatest eagerness?

What do you think?

Believe me, we completely slight
The poets of the loftiest flight,
Whose Pegasus soars out of sight
Of common eyes:

The page we turn to is the last;
Its themes are not too deep and vast;
Its poets, though they 've been surpassed,
Are not too wise.

So, though your muse is never seen
"Within the solid magazine,"
Though on your prayer for loftier theme
She turns her back,

Grieve not-more honored poets yet
May haply wish their verse was set
Within the dainty cabinet

Of Bric-a-Brac.

THE DE VINNE PRESS, FRINTERS, NEW YORK.

Annie D. Hanks.

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HERE is an old park wall which follows the highway in all its turns with such fidelity of curve that for some two miles it seems as if the road had been fitted to the wall. Against it hawthorn bushes have grown up at intervals, and in the course of years their trunks have become almost timber. Ivy has risen round some of these, and, connecting them with the wall, gives them at a distance the appearance of green bastions. Large stems of ivy, too, have flattened themselves upon the wall, as if with arched back they were striving like athletes

to overthrow it. Mosses, brown in summer, soft green in winter, cover it where there is shadow, and if pulled up take with them some of the substance of the stone or mortar like a crust. A dry, dusty fern may perhaps be found now and then on the low bank at the foot-a fern that would rather be within the park than thus open to the heated south with the wall reflecting the sunshine behind. On the other side of the road, over the thin hedge, there is a broad plain of cornfields. Coming from these the laborers have found out, or made, notches in the wall; so that, by putting the iron-plated toes of their boots in, and holding to the ivy, they Copyright, 1888, by THE CENTURY Co. All rights reserved.

can scale it and shorten their long trudge home to the village. In the spring the larks, passing from the green corn to the pasture within, fluttering over with gently vibrating wings and singing as they daintily go, sometimes settle on the top. There too the yellow-hammers stay. In the crevices bluetits build deep inside passages that abruptly turn, and baffle egg-stealers. Partridges come over with a whir, but just clearing the top, gliding on extended wings, which to the eye look like a slight brown crescent. The wagoners who go by know that the great hawthorn bastions are favorite resorts of wood-pigeons and missel-thrushes. The haws are ripe in autumn and the ivy berries in spring, so that the bastions yield a double crop. A mallow the mauve petals of which even the dust of the road cannot impair flowers here and there on the dry bank below, and broad moon-daisies among the ripe and almost sapless grass of midsummer.

If any one climbed the wall from the park and looked across at the plain of cornfields in early spring, everywhere there would be seen brown dots in the air-above the first slender green blades; above the freshly turned

all unable to set forth their joy. Swift as is the vibration of their throats, they cannot pour the notes fast enough to express their eager welcome. As a shower falls from the sky, so falls the song of the larks. There is no end to them: they are everywhere; over every acre away across the plain to the downs, and up on the highest hill. Every crust of English bread has been sung over at its birth in the green blade by a lark.

If one looked again in June, the clover itself, a treasure of beauty and sweetness, would be out, and the south wind would come over acres of flower-acres of clover, beans, tares, purple trifolium, far-away crimson saintfoin (brightest of all on the hills), scarlet poppies, pink

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dark furrows; above the distant plow, the share of which, polished like a silver mirror by friction with the clods, reflects the sunshine, flashing a heliograph message of plenty from the earth; everywhere brown dots, and each a breathing creature-larks ceaselessly singing, and

convolvulus, yellow charlock, and green wheat coming into ear. In August, already squares would be cut into the wheat, and the sheaves rising, bound about the middle, hour-glass fashion; some breadths of wheat yellow, some golden-bronze; beside these, white barley and oats, and beans blackening. Turtle-doves would be in the stubble, for they love to be near the sheaves. The hills after or during rain look green and near; on sunny days, a far and faint blue. Sometimes the sunset is caught

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