Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 64Gale Research Company, 1984 |
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Page 65
... actor we are watching . Yet it is not the actor's everyday self , his biographical personality . It is something he is accomplishing by acting . A character , in a play , is something an actor does . We are all too likely to think of an ...
... actor we are watching . Yet it is not the actor's everyday self , his biographical personality . It is something he is accomplishing by acting . A character , in a play , is something an actor does . We are all too likely to think of an ...
Page 325
... actor , even in what appears to be bullying . ( She seems , pretty well from the start , to understand him as an actor . ' Where did you study all this goodly speech ? ' she asks ( 2.1.255 ) . ) In all his dealings with her , he acts ...
... actor , even in what appears to be bullying . ( She seems , pretty well from the start , to understand him as an actor . ' Where did you study all this goodly speech ? ' she asks ( 2.1.255 ) . ) In all his dealings with her , he acts ...
Page 348
... actor is jumping for joy that he is to play the bigger part , the part of the master , not the servant . His first speech is to his rival suitors to Bianca , defending his right to enter the competi- tion : And were his daughter fairer ...
... actor is jumping for joy that he is to play the bigger part , the part of the master , not the servant . His first speech is to his rival suitors to Bianca , defending his right to enter the competi- tion : And were his daughter fairer ...
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Common terms and phrases
action actor Antium argues aristocratic Armado audience Aufidius becomes Berowne Bianca bird body politic Cambridge character chio cittern comedy comic Cominius Coppélia Coriola Coriolanus Coriolanus's critics death desire discourse dramatic Elizabeth Elizabethan English essay date father female Griselda Henry hero heroic Hortensio human husband ideal identity Induction Kate Kate's Katherine Katherine's King King of Navarre ladies language London lord Love's Labour's Lost lovers Lucentio male marriage married Martius masculine Menenius ment metaphor Midsummer Night's Dream nature Navarre obedience olanus Ovid Petru Petruchio Phoenix and Turtle play play's plebeians Plutarch poem Princess Queen relationship Renaissance rhetoric role Roman Rome scene seems sense sexual Shake Shakespeare Shakespearean tragedy Shrew Sly's social speak speare speare's speech stage suggests symbol Taming theatrical thou tion traditional tragedy tragic Tranio Univ University Press verbal violence Volscian Volumnia wife woman women wooing words York