We'll pass the eyes Of the starry skies Into the hoar deep to colonize: Death, Chaos, and Night, From the sound of our flight, Shall flee, like mist from a tempest's might. And Earth, Air, and Light, And the Spirit of Might, How every pause is filled with under-notes, Clear, silver, icy, keen awakening tones, Which drives round the stars in their fiery flight; Which pierce the sense, and live within the soul, And Love, Thought, and Breath, The powers that quell Death, Wherever we soar shall assemble beneath. And our singing shall build In the void's loose field A world for the Spirit of Wisdom to wield; We will take our plan From the new world of man And our work shall be called the Promethean. CHORUS OF HOURS. Break the dance, and scatter the song; Let some depart, and some remain. SEMICHORUS I. We, beyond heaven, are driven along : SEMICHORUS II. Us the enchantments of earth retain : SEMICHORUS I. Ceaseless, and rapid, and fierce, and free, SEMICHORUS II. Solemn, and slow, and serene, and bright, Leading the Day, and outspeeding the Night, With the powers of a world of perfect light. SEMICHORUS I. We whirl, singing loud, round the gathering sphere, Till the trees, and the beasts, and the clouds appear From its chaos made calm by love, not fear. SEMICHORUS II. We encircle the ocean and mountains of earth, And the happy forms of its death and birth Change to the music of our sweet mirth. CHORUS OF HOURS AND SPIRITS. Break the dance, and scatter the song, Let some depart, and some remain, Wherever we fly we lead along In leashes, like star-beams, soft yet strong, The clouds that are heavy with love's sweet rain. As the sharp stars pierce winter's crystal air And gaze upon themselves within the sea. PANTHEA. But see where, through two openings in the forest And where two runnels of a rivulet, Of lovely grief, a wood of sweet sad thoughts; IONE. I see a chariot like that thinnest boat Its countenance, like the whiteness of bright snow, Of its white robe, woof of ætherial pearl. A guiding power directs the chariot's prow PANTHEA. And from the other opening in the wood Such as ghosts dream dwell in the lampless deep, With mighty whirl the multitudinous orb Which drowns the sense. Within the orb itself, Like to a child o'erwearied with sweet toil, IONE. 'Tis only mocking the orb's harmony. PANTHEA. And from a star upon its forehead, shoot, Wells of unfathomed fire, and water springs Of cancelled cycles; anchors, beaks of ships; Whose population which the earth grew over Jammed in the hard, black deep; and over these, To which the tortuous strength of their last pangs Of earth-convulsing behemoth, which once THE EARTH. The joy, the triumph, the delight, the madness! THE MOON. Brother mine, calm wanderer, Some Spirit is darted like a beam from thee, THE EARTH. Ha ha! the caverns of my hollow mountains, My cloven fire-crags, sound-exulting fountains, Laugh with a vast and inextinguishable laughter. The oceans, and the deserts, and the abysses, And the deep air's unmeasured wildernesses, Answer from all their clouds and billows, echoing after. They cry aloud as I do. Sceptred curse, Who all our green and azure universe Threatenedst to muffle round with black destruction, sending A solid cloud to rain hot thunder-stones, And splinter and knead down my children's bones, All I bring forth, to one void mass battering and blending. Until each crag-like tower, and storied column, Palace, and obelisk, and temple solemn, My imperial mountains crowned with cloud, and snow, and fire; My sea-like forests, every blade and blossom Which finds a grave or cradle in my bosom, Were stamped by thy strong hate into a lifeless mire. How art thou sunk,withdrawn, covered, drunk up By thirsty nothing, as the brackish cup Drained by a desert-troop, a little drop for all; And from beneath, around, within, above, Filling thy void annihilation, love [ball. Bursts in like light on caves cloven by the thunder THE MOON. The snow upon my lifeless mountains Gazing on thee I feel, I know, Greenstalks burst forth, and bright flowers grow, And living shapes upon my bosom move : Music is in the sea and air, Winged clouds soar here and there, Dark with the rain new buds are dreaming of: 'Tis love, all love! Thought's stagnant chaos, unremoved for ever, Till hate, and fear, and pain, light-vanquished shadows, fleeing, Leave Man, who was a many-sided mirror, Which could distort to many a shape of error, This true fair world of things, a sea reflecting love; Which over all his kind, as the sun's heaven Gliding o'er ocean, smooth, serene, and even Darting from starry depths radiance and light, doth move, Leave Man, even as a leprous child is left, Then when it wanders home with rosy smile, Man, oh, not men! a chain of linked thought, Man, one harmonious soul of many a soul, Whose nature is its own divine control, Where all things flow to all, as rivers to the sea; Familiar acts are beautiful through love; Labour, and pain, and grief, in life's green grove Sport like tame beasts, none knew how gentle they could be! His will, with all mean passions, bad delights, And selfish cares, its trembling satellites, A spirit ill to guide, but mighty to obey, Is as a tempest-winged ship, whose helm [whelm, Love rules, through waves which dare not overForcing life's wildest shores to own its sovereign sway. All things confess his strength. Through the cold Of marble and of colour his dreams pass; [mass Bright threads whence mothers weave the robes their children wear; Language is a perpetual Orphic song, Which rules with Dædal harmony a throng Of thoughts and forms, which else senseless and shapeless were. The lightning is his slave; heaven's utmost deep Gives up her stars, and like a flock of sheep They pass before his eye, are numbered and roll on! The tempest is his steed, he strides the air; And the abyss shouts from her depth laid bare, Heaven, hast thou secrets? Man unveils me; I have none. THE MOON. The shadow of white death has past From my path in heaven at last, A clinging shroud of solid frost and sleep; And through my newly-woven bowers, Wander happy paramours, Less mighty, but as mild as those who keep Thy vales more deep. THE EARTH. As the dissolving warmth of dawn may fold A half unfrozen dew-globe, green, and gold, And crystalline, till it becomes a winged mist, And wanders up the vault of the blue day, Outlives the noon, and on the sun's last ray Hangs o'er the sea, a fleece of fire and amethyst. THE MOON. Thou art folded, thou art lying Of thine own joy, and heaven's smile divine; All suns and constellations shower Which doth array thy sphere; thou pourest thine THE EARTH. I spin beneath my pyramid of night, Which points into the heavens dreaming delight, Murmuring victorious joy in my enchanted sleep; As a youth lulled in love-dreams faintly sighing, Under the shadow of his beauty lying, Which round his rest a watch of light and warmth doth keep. THE MOON. As in the soft and sweet eclipse, Thou art speeding round the sun, I, a most enamoured maiden, In the weird Cadmæan forest. Grows like what it looks upon, As a violet's gentle eye Until its hue grows like what it beholds, Athwart the western mountain it enfolds THE EARTH. And the weak day weeps That it should be so. O gentle Moon, the voice of thy delight O gentle Moon, thy crystal accents pierce PANTHEA. I rise as from a bath of sparkling water, A bath of azure light, among dark rocks, Out of the stream of sound. IONE. Ah me! sweet sister, The stream of sound has ebbed away from us, PANTHEA. Peace, peace! a mighty Power, which is as darkness, IONE. There is a sense of words upon mine ear. PANTHEA. A universal sound like words: Oh, list! DEMOGORGON. Thou, Earth, calm empire of a happy soul, The love which paves thy path along the skies: Gentleness, Virtue, Wisdom, and Endurance, The serpent that would clasp her with his length, These are the spells by which to re-assume To suffer woes which Hope thinks infinite; NOTE ON THE PROMETHEUS UNBOUND. BY THE EDITOR. ON the 12th of March, 1818, Shelley quitted England, never to return. His principal motive was the hope that his health would be improved by a milder climate; he suffered very much during the winter previous to his emigration, and this decided his vacillating purpose. In December, 1817, he had written from Marlow to a friend, saying: "My health has been materially worse. My feelings at intervals are of a deadly and torpid kind, or awakened to such a state of unnatural and keen excitement, that only to instance the organ of sight, I find the very blades of grass and the boughs of distant trees present themselves to me with microscopic distinctness. Towards evening I sink into a state of lethargy and inanimation, and often remain for hours on the sofa between sleep and waking, a prey to the most painful irritability of thought. Such, with little intermission, is my condition. The hours devoted to study are selected with vigilant caution from among these periods of endurance. It is not for this that I think of travelling to Italy, even if I knew that Italy would relieve me. But I have experienced a decisive pulmonary attack, and although at present it has passed away without any considerable vestige of its existence, yet this symptom sufficiently shows the true nature of my disease to be consumptive. It is to my advantage that this malady is in its nature slow, and, if one is sufficiently alive to its advances, is susceptible of cure from a warm climate. In the event of its assuming any decided shape, it would be my duty to go to Italy without delay. It is not mere health, but life, that I should seek, and that not for my own sake; I feel I am capable of trampling on all such weaknessbut for the sake of those to whom my life may be a source of happiness, utility, security, and honour -and to some of whom my death might be all that is the reverse." In almost every respect his journey to Italy was advantageous. He left behind friends to whom he was attached, but cares of a thousand kinds, many springing from his lavish generosity, crowded round him in his native country: and, except the society of one or two friends, he had no compensation. The climate caused him to consume half his existence in helpless suffering. His dearest pleasure, the free enjoyment of the scenes of nature, was marred by the same circumstance. He went direct to Italy, avoiding even Paris, and did not make any pause till he arrived at Milan. The first aspect of Italy enchanted Shelley; it seemed a garden of delight placed beneath a clearer and brighter heaven than any he had lived under before. He wrote long descriptive letters during the first year of his residence in Italy, which, as compositions, are the most beautiful in the world, and show how truly he appreciated and studied the wonders of nature and art in that divine land. The poetical spirit within him speedily revived with all the power and with more than all the beauty of his first attempts. He meditated three subjects as the groundwork for lyrical Dramas. One was the story of Tasso; of this a slight fragment of a song of Tasso remains. The other was one founded on the book of Job, which he never abandoned in idea, but of which no trace remains among his papers. The third was the "Prometheus |