Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 37Gale Research Company, 1998 |
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Page 97
... writing . The Tupinamba , if we are to judge from Léry's narrative , thought the Euro- peans possessed magical powers : They know nothing of writing , either sacred or secular ; indeed ; they have no kind of characters that signify ...
... writing . The Tupinamba , if we are to judge from Léry's narrative , thought the Euro- peans possessed magical powers : They know nothing of writing , either sacred or secular ; indeed ; they have no kind of characters that signify ...
Page 98
... writing as the power that authorizes and perpetuates social injustices . He sees all writing as oppressive for it confirms traditions and confers privileges from which the illiterate are by definition excluded . He mounts a program to ...
... writing as the power that authorizes and perpetuates social injustices . He sees all writing as oppressive for it confirms traditions and confers privileges from which the illiterate are by definition excluded . He mounts a program to ...
Page 99
... writing . She wants to print her kisses on the body of Suffolk : " O could this kiss be printed in thy hand " ( III.ii.109 ) . The actual kiss has less power than its representation . Margaret feels affec- tion not for her husband but ...
... writing . She wants to print her kisses on the body of Suffolk : " O could this kiss be printed in thy hand " ( III.ii.109 ) . The actual kiss has less power than its representation . Margaret feels affec- tion not for her husband but ...
Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
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Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York