Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 37Gale Research Company, 1998 |
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Page 123
... women , it does not follow that such an ethos is the foundation of the genre as a whole . It is easy , of course , to see where the idea of a generic opposition to women in the history plays has come from . There are few women ...
... women , it does not follow that such an ethos is the foundation of the genre as a whole . It is easy , of course , to see where the idea of a generic opposition to women in the history plays has come from . There are few women ...
Page 130
... women in Shakespeare's histories are used to critique the excesses of the men who rule their lives , while women in other histories exercise forms of power that are validated , not demonized , by the playwrights who created them . Nor ...
... women in Shakespeare's histories are used to critique the excesses of the men who rule their lives , while women in other histories exercise forms of power that are validated , not demonized , by the playwrights who created them . Nor ...
Page 378
... women's will . They range from the simple- " Women will have their wills " -to the complex- " Will will have will ( wilt ) though will woe win . " 43 They quickly begin to recognize the pres- ence of bawdy innuendo surrounding the word ...
... women's will . They range from the simple- " Women will have their wills " -to the complex- " Will will have will ( wilt ) though will woe win . " 43 They quickly begin to recognize the pres- ence of bawdy innuendo surrounding the word ...
Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
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Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York