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Page 23
DROMIO O yes , if any hour meet a sergeant , ' a turns back for very fear . ADRIANA As if time were in debt ! ... 126-30 ) the way , Hath he not reason to turn back an hour in a day ? ( IV.ii.54-62 ) The breaking gulf as the sacrament ...
DROMIO O yes , if any hour meet a sergeant , ' a turns back for very fear . ADRIANA As if time were in debt ! ... 126-30 ) the way , Hath he not reason to turn back an hour in a day ? ( IV.ii.54-62 ) The breaking gulf as the sacrament ...
Page 67
And this in turn would imply that , in their own time , Shakespeare's comedies were not just - in Stephen Greenblatt's words — fictions which " participated in a larger field of sexual discourses . " but were fictions of the Reformation ...
And this in turn would imply that , in their own time , Shakespeare's comedies were not just - in Stephen Greenblatt's words — fictions which " participated in a larger field of sexual discourses . " but were fictions of the Reformation ...
Page 350
That turning of the wheel of chance also assured men that no temporal greatness was durable , and that the mighty would surely ... But when chance turns to havoc , as it does in Donne's The First Anniversarie , very little in the way of ...
That turning of the wheel of chance also assured men that no temporal greatness was durable , and that the mighty would surely ... But when chance turns to havoc , as it does in Donne's The First Anniversarie , very little in the way of ...
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Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Martha A Kurtz Rethinking Gender and Genre in the History Play | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
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action appears argues argument attempt audience authority becomes body Brutus called Cambridge cause character claim comedy concern course critics cultural death desire Drama Duke early effect Elizabethan England English fact father feel figure final follows force gender give Hamlet hand head Henry Henry's Holinshed human idea John John's kind King language Lear less lines live London Lord marriage means moral nature never noble once opening performance person Plautus play play's political position possible present Press produce question reference relation Renaissance response rhetoric Richard role says scene seems sense sexual Shakespeare social society speak speech stage Studies suggests Talbot tells things Thomas thought tion tradition true turn Twelfth Night women writing York young