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Page 13
While much of the theatrical calendar was still hitched to traditional timetables ( such as the Lenten inhibitions or ... A conservative and tradition - minded society , such as Renaissance England largely was , does not lightly discard ...
While much of the theatrical calendar was still hitched to traditional timetables ( such as the Lenten inhibitions or ... A conservative and tradition - minded society , such as Renaissance England largely was , does not lightly discard ...
Page 197
28 The following paragraph is largely based on Ferguson , The Chivalric Tradition in Renaissance England ( see above , note 22 ) . 16 Hall's Chronicle , p . 113 . 17 J.H. Walter , ed . , Introduction to Arden edition of Henry V ( London ...
28 The following paragraph is largely based on Ferguson , The Chivalric Tradition in Renaissance England ( see above , note 22 ) . 16 Hall's Chronicle , p . 113 . 17 J.H. Walter , ed . , Introduction to Arden edition of Henry V ( London ...
Page 335
3 decided to appropriate The Tempest as a means of supporting decolonization and creating an alternative literary tradition . ? In The Tempest African and Caribbean writers saw hints of pre - European traditions and European ...
3 decided to appropriate The Tempest as a means of supporting decolonization and creating an alternative literary tradition . ? In The Tempest African and Caribbean writers saw hints of pre - European traditions and European ...
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Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Martha A Kurtz Rethinking Gender and Genre in the History Play | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
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action appears argues argument attempt audience authority becomes body Brutus called Cambridge cause character claim comedy concern course critics cultural death desire Drama Duke early effect Elizabethan England English fact father feel figure final follows force gender give Hamlet hand head Henry Henry's Holinshed human idea John John's kind King language Lear less lines live London Lord marriage means moral nature never noble once opening performance person Plautus play play's political position possible present Press produce question reference relation Renaissance response rhetoric Richard role says scene seems sense sexual Shakespeare social society speak speech stage Studies suggests Talbot tells things Thomas thought tion tradition true turn Twelfth Night women writing York young
Bibliographic information
| Title | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 37 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Contributor | Gale Research Company |
| Publisher | Gale Research Company, 1998 |
| ISBN | 0787611352, 9780787611354 |
| Export Citation | BiBTeX EndNote RefMan |