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Page 44
What takes the place of Lear's portentous raging and sympathetic identification with poor Tom is a delineation of one possible countercommunity — and its problems . chartered authority for a unified community , and when civil society is ...
What takes the place of Lear's portentous raging and sympathetic identification with poor Tom is a delineation of one possible countercommunity — and its problems . chartered authority for a unified community , and when civil society is ...
Page 97
One society has the power to produce history ; the other does not . Questions of literacy are ... Early modern England , however , unlike the totally oral society of the Tupinamba , was neither an oral nor a fully literate society .
One society has the power to produce history ; the other does not . Questions of literacy are ... Early modern England , however , unlike the totally oral society of the Tupinamba , was neither an oral nor a fully literate society .
Page 144
One of the greatest structural problems facing any patriarchal society is the control of the masculine aggressivity ... the masculine values inculcated by patriarchal societies can themselves pose a threat to patriarchal order .
One of the greatest structural problems facing any patriarchal society is the control of the masculine aggressivity ... the masculine values inculcated by patriarchal societies can themselves pose a threat to patriarchal order .
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Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Martha A Kurtz Rethinking Gender and Genre in the History Play | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
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action appears argues argument attempt audience authority becomes body Brutus called Cambridge cause character claim comedy concern course critics cultural death desire Drama Duke early effect Elizabethan England English fact father feel figure final follows force gender give Hamlet hand head Henry Henry's Holinshed human idea John John's kind King language Lear less lines live London Lord marriage means moral nature never noble once opening performance person Plautus play play's political position possible present Press produce question reference relation Renaissance response rhetoric Richard role says scene seems sense sexual Shakespeare social society speak speech stage Studies suggests Talbot tells things Thomas thought tion tradition true turn Twelfth Night women writing York young