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Page 59
“ Shakespearean comedy , " writes Stephen Greenblatt , “ constantly appeals to the body and to sexuality as the heart of ... Suddenly , instead of being about the discovery of one's " true ” identity , or a " natural " social and sexual ...
“ Shakespearean comedy , " writes Stephen Greenblatt , “ constantly appeals to the body and to sexuality as the heart of ... Suddenly , instead of being about the discovery of one's " true ” identity , or a " natural " social and sexual ...
Page 62
“ Nor are you therein , by my life , deceiv'd ” : Twelfth Night and Gl'Ingannati our ideas about the relationship of gender to sexuality , the “ fantasies ” and “ anxieties ” that they identify in early modern dramatic texts take no ...
“ Nor are you therein , by my life , deceiv'd ” : Twelfth Night and Gl'Ingannati our ideas about the relationship of gender to sexuality , the “ fantasies ” and “ anxieties ” that they identify in early modern dramatic texts take no ...
Page 72
... into condoning the social ( rather than sexual ) transgression elsewhere reviled by the play's mockery of Malvolio is suggested ... she has become sexually suspect irrespective of her conduct : ever since the sack of Rome , she says ...
... into condoning the social ( rather than sexual ) transgression elsewhere reviled by the play's mockery of Malvolio is suggested ... she has become sexually suspect irrespective of her conduct : ever since the sack of Rome , she says ...
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Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Martha A Kurtz Rethinking Gender and Genre in the History Play | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
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action appears argues argument attempt audience authority becomes body Brutus called Cambridge cause character claim comedy concern course critics cultural death desire Drama Duke early effect Elizabethan England English fact father feel figure final follows force gender give Hamlet hand head Henry Henry's Holinshed human idea John John's kind King language Lear less lines live London Lord marriage means moral nature never noble once opening performance person Plautus play play's political position possible present Press produce question reference relation Renaissance response rhetoric Richard role says scene seems sense sexual Shakespeare social society speak speech stage Studies suggests Talbot tells things Thomas thought tion tradition true turn Twelfth Night women writing York young