Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 37Gale Research Company, 1998 |
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Page 235
... roles which must be played consistently - the role of a human being , the role of oneself as an individual , and the social role - but the first two must take pre- cedence over the last . In Julius Caesar - from the opening lines in ...
... roles which must be played consistently - the role of a human being , the role of oneself as an individual , and the social role - but the first two must take pre- cedence over the last . In Julius Caesar - from the opening lines in ...
Page 238
... role in Caesar ( ' he must affect to be what he is not ' , 231 ) and Brutus ( ' a kind of pose ' , 241 ) has been taken up by most later critics , many of whom see role - playing as related to the political and ethical nature of Rome ...
... role in Caesar ( ' he must affect to be what he is not ' , 231 ) and Brutus ( ' a kind of pose ' , 241 ) has been taken up by most later critics , many of whom see role - playing as related to the political and ethical nature of Rome ...
Page 300
... role ( a dimension which has left a faintly discernible trace on the final film ) . The servants ' quarters feature ... role , a role that has surged out of his imagination that is strangely like his brother , a role in which he claims ...
... role ( a dimension which has left a faintly discernible trace on the final film ) . The servants ' quarters feature ... role , a role that has surged out of his imagination that is strangely like his brother , a role in which he claims ...
Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
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Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York