Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 37Gale Research Company, 1998 |
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Page 50
... play's return to social hierarchy and to Protestant , patriarchal marriage . As we will see , however , this containment is itself unstable ; there is an undermining of ' order ' through- out the play and in the playfully complex ending ...
... play's return to social hierarchy and to Protestant , patriarchal marriage . As we will see , however , this containment is itself unstable ; there is an undermining of ' order ' through- out the play and in the playfully complex ending ...
Page 110
... play's episodic struc- ture by invoking the medieval de casibus tradition , thus explaining a Jacobean history play in terms of an essentially medieval theory of history . Frank V. Ces- pedes argues " that the structure of Henry VIII is ...
... play's episodic struc- ture by invoking the medieval de casibus tradition , thus explaining a Jacobean history play in terms of an essentially medieval theory of history . Frank V. Ces- pedes argues " that the structure of Henry VIII is ...
Page 320
... play's ideological and histori- cal contexts , which have both " written " the play and " been written " by it . This emphasis is a crucial value of this approach , which must be seen , at least , as an interrogation of the long ...
... play's ideological and histori- cal contexts , which have both " written " the play and " been written " by it . This emphasis is a crucial value of this approach , which must be seen , at least , as an interrogation of the long ...
Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
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Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York