Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 37Gale Research Company, 1998 |
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Page 112
... person ( 1.1.201 ) only moments after declaring his aim to inform the King of Wolsey's trea- sonous political strategems . But before turning to the scene in which the Duke's Surveyor brings the " evi- dence , " Shakespeare and Fletcher ...
... person ( 1.1.201 ) only moments after declaring his aim to inform the King of Wolsey's trea- sonous political strategems . But before turning to the scene in which the Duke's Surveyor brings the " evi- dence , " Shakespeare and Fletcher ...
Page 235
... person.38 Illeism is used most often by Caesar - ' Caesar is turned to hear ' ( 1 . 2. 19 ) , ' Caesar shall forth ' ( 2. 2. 10 ) , ' Shall Caesar send a lie ? ' ( 2. 2. 65 ) —but also by Brutus , Cassius , Antony , Casca , Portia , and ...
... person.38 Illeism is used most often by Caesar - ' Caesar is turned to hear ' ( 1 . 2. 19 ) , ' Caesar shall forth ' ( 2. 2. 10 ) , ' Shall Caesar send a lie ? ' ( 2. 2. 65 ) —but also by Brutus , Cassius , Antony , Casca , Portia , and ...
Page 241
... person is the effect rather than the cause of his or her speech and of our interpreta- tion " ( 147 ) . Whether we are actors , audience , or read- ers , however , according to the Elizabethan ideas de- veloped in Chapter 1 , our ...
... person is the effect rather than the cause of his or her speech and of our interpreta- tion " ( 147 ) . Whether we are actors , audience , or read- ers , however , according to the Elizabethan ideas de- veloped in Chapter 1 , our ...
Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
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Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York