Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 37Gale Research Company, 1998 |
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Page 13
... performance . Barring dis- ruptions by plague , riot , or political upheaval ( though these were common enough ) , the public theatres could expect to be open for business continuously for long periods , necessitating a constant and ...
... performance . Barring dis- ruptions by plague , riot , or political upheaval ( though these were common enough ) , the public theatres could expect to be open for business continuously for long periods , necessitating a constant and ...
Page 235
... performances are judged by an audience : Casca sees Caesar's refusal of the crown as a performance clapped and hissed by the people ( 1. 2 . 258-61 ) , and Cassius and Brutus , standing over Caesar's body , speculate how future ...
... performances are judged by an audience : Casca sees Caesar's refusal of the crown as a performance clapped and hissed by the people ( 1. 2 . 258-61 ) , and Cassius and Brutus , standing over Caesar's body , speculate how future ...
Page 241
... performance , and a critic who has seen many performances may be able to perform the analysis of the psychology of a character by responding to the text and to memories of performance as evoked by reading the text . My readings have ...
... performance , and a critic who has seen many performances may be able to perform the analysis of the psychology of a character by responding to the text and to memories of performance as evoked by reading the text . My readings have ...
Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
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Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York