Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 37Gale Research Company, 1998 |
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Page 39
... never knew how to entreat , Nor never needed that I should entreat , Am starved for meat , giddy for lack of sleep , With oaths kept waking , and with brawling fed . ( 4.3.3-10 ) Such deprivation can only be comparable to the life of a ...
... never knew how to entreat , Nor never needed that I should entreat , Am starved for meat , giddy for lack of sleep , With oaths kept waking , and with brawling fed . ( 4.3.3-10 ) Such deprivation can only be comparable to the life of a ...
Page 122
... never blurred and which can never overlap or unite . These two assumptions coalesce in the frequently reiterated pre- mise that the history play as a genre is fundamentally antagonistic to women and the " feminine " : The myth of the ...
... never blurred and which can never overlap or unite . These two assumptions coalesce in the frequently reiterated pre- mise that the history play as a genre is fundamentally antagonistic to women and the " feminine " : The myth of the ...
Page 183
... never trust his word after . WILLIAMS You pay him then . That's a perilous shot out of an elder - gun , that a poor and a private displeasure can do against a monarch ! You may as well go about to turn the sun to ice with fanning in his ...
... never trust his word after . WILLIAMS You pay him then . That's a perilous shot out of an elder - gun , that a poor and a private displeasure can do against a monarch ! You may as well go about to turn the sun to ice with fanning in his ...
Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
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Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York