Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 37Gale Research Company, 1998 |
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Page 322
... means of producing that atmosphere . As is well known , Shakespeare's stage , although it relied on various means of visual representation ( costume , prop- erties ) employed little or no scenery , so that what one " saw " depended a ...
... means of producing that atmosphere . As is well known , Shakespeare's stage , although it relied on various means of visual representation ( costume , prop- erties ) employed little or no scenery , so that what one " saw " depended a ...
Page 324
... means of the sharp- # in the melody ) . The more substantial shift here creates the expectation that the song has modulated to the domi- nant key , a modulation that coincides with the apo- theosis of Alonso into coral and pearls . The ...
... means of the sharp- # in the melody ) . The more substantial shift here creates the expectation that the song has modulated to the domi- nant key , a modulation that coincides with the apo- theosis of Alonso into coral and pearls . The ...
Page 335
... means of moving along to a different type of critique . This attempt , then , is to redeem The Tempest from too much redemption . ' As the traditional aesthetic allegory of this play has been synthesized into the history of ...
... means of moving along to a different type of critique . This attempt , then , is to redeem The Tempest from too much redemption . ' As the traditional aesthetic allegory of this play has been synthesized into the history of ...
Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
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Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York