Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 37Gale Research Company, 1998 |
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Page 30
... less a suite of ornaments or a pack of social cards ( though he can use it in any of these ways ) , as a capacious surface on which the soul's currents work themselves into expression . 52 Rosalie Colie's marvelous book on the ...
... less a suite of ornaments or a pack of social cards ( though he can use it in any of these ways ) , as a capacious surface on which the soul's currents work themselves into expression . 52 Rosalie Colie's marvelous book on the ...
Page 71
... less than sexual decorum , " and whose name performs a number of associative tricks , as it " echoes the erotic flowers and music of the opening scene , insidiously rearranges the letters of Olivia's name , and comes close to nam- ing ...
... less than sexual decorum , " and whose name performs a number of associative tricks , as it " echoes the erotic flowers and music of the opening scene , insidiously rearranges the letters of Olivia's name , and comes close to nam- ing ...
Page 151
... less willing to reconfigure the politi- cal as the erotic , Richard's gambit would have a vastly different outcome : a woman less willing to submit to conventional gender hierarchies ( Margaret , say ) would certainly plunge the sword ...
... less willing to reconfigure the politi- cal as the erotic , Richard's gambit would have a vastly different outcome : a woman less willing to submit to conventional gender hierarchies ( Margaret , say ) would certainly plunge the sword ...
Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
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Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York