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Page 71
The play's erotic investment in Viola / Cesario is less , I would argue , than its investment in the violation of probability constituted by the twinship of Viola and Sebastian , which first casts the desire and emotion aroused by ...
The play's erotic investment in Viola / Cesario is less , I would argue , than its investment in the violation of probability constituted by the twinship of Viola and Sebastian , which first casts the desire and emotion aroused by ...
Page 151
Richmond's moderate views may reinscribe comforting traditional hierarchies , but as every reader or viewer of the play knows , he is a flat , unmemorable character , far less vivid and compelling than the unruly monster killed on ...
Richmond's moderate views may reinscribe comforting traditional hierarchies , but as every reader or viewer of the play knows , he is a flat , unmemorable character , far less vivid and compelling than the unruly monster killed on ...
Page 249
The result is truly tragic , for Hamlet's disposition to be concerned for honesty and loyalty is what heightens the crafty wariness of his antic attitude so that his perception is severely narrowed . less action of the revenger , but to ...
The result is truly tragic , for Hamlet's disposition to be concerned for honesty and loyalty is what heightens the crafty wariness of his antic attitude so that his perception is severely narrowed . less action of the revenger , but to ...
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Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Martha A Kurtz Rethinking Gender and Genre in the History Play | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
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Common terms and phrases
action appears argues argument attempt audience authority becomes body Brutus called Cambridge cause character claim comedy concern course critics cultural death desire Drama Duke early effect Elizabethan England English fact father feel figure final follows force gender give Hamlet hand head Henry Henry's Holinshed human idea John John's kind King language Lear less lines live London Lord marriage means moral nature never noble once opening performance person Plautus play play's political position possible present Press produce question reference relation Renaissance response rhetoric Richard role says scene seems sense sexual Shakespeare social society speak speech stage Studies suggests Talbot tells things Thomas thought tion tradition true turn Twelfth Night women writing York young
Bibliographic information
| Title | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 37 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Contributor | Gale Research Company |
| Publisher | Gale Research Company, 1998 |
| ISBN | 0787611352, 9780787611354 |
| Export Citation | BiBTeX EndNote RefMan |