Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 37Gale Research Company, 1998 |
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Page 24
... kind of figurative substrate of images and associations in which incarnation is the principal trope for all kinds of unification , including that which creates new community between the play and its audience . This commitment to ...
... kind of figurative substrate of images and associations in which incarnation is the principal trope for all kinds of unification , including that which creates new community between the play and its audience . This commitment to ...
Page 216
... kind of conventional moral accounting , as she rejects his seemingly justified assumption of guilt for their breach : Lear : I know you do not love me , for your sisters Have ( as I do remember ) done me wrong : You have some cause ...
... kind of conventional moral accounting , as she rejects his seemingly justified assumption of guilt for their breach : Lear : I know you do not love me , for your sisters Have ( as I do remember ) done me wrong : You have some cause ...
Page 324
... kind of finality . But the music seems rather to catch us up in the process of trans- formation , as something opposed to finality , as an " end " ( without end ) in itself , and not merely as a means to an end . The song's music does ...
... kind of finality . But the music seems rather to catch us up in the process of trans- formation , as something opposed to finality , as an " end " ( without end ) in itself , and not merely as a means to an end . The song's music does ...
Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
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Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York