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Page 24
43 What Shakespeare takes from Paul's writings is less a particular doctrine than a kind of figurative substrate of images and associations in which incarnation is the principal trope for all kinds of unification , including that which ...
43 What Shakespeare takes from Paul's writings is less a particular doctrine than a kind of figurative substrate of images and associations in which incarnation is the principal trope for all kinds of unification , including that which ...
Page 59
... histories have accomplished in terms of enhancing our understanding of early modern culture , I would like in the following pages to challenge the operation of a certain kind of “ body history ” within recent Shakespeare criticism .
... histories have accomplished in terms of enhancing our understanding of early modern culture , I would like in the following pages to challenge the operation of a certain kind of “ body history ” within recent Shakespeare criticism .
Page 324
verbal untruth and musical truth but from the complex interplay of feelings created by the song's words and actual music . pending us in a gap , of the kind Barthes seems to have in mind when he writes of " displacing the fringe of ...
verbal untruth and musical truth but from the complex interplay of feelings created by the song's words and actual music . pending us in a gap , of the kind Barthes seems to have in mind when he writes of " displacing the fringe of ...
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Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Martha A Kurtz Rethinking Gender and Genre in the History Play | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
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action appears argues argument attempt audience authority becomes body Brutus called Cambridge cause character claim comedy concern course critics cultural death desire Drama Duke early effect Elizabethan England English fact father feel figure final follows force gender give Hamlet hand head Henry Henry's Holinshed human idea John John's kind King language Lear less lines live London Lord marriage means moral nature never noble once opening performance person Plautus play play's political position possible present Press produce question reference relation Renaissance response rhetoric Richard role says scene seems sense sexual Shakespeare social society speak speech stage Studies suggests Talbot tells things Thomas thought tion tradition true turn Twelfth Night women writing York young
Bibliographic information
| Title | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 37 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Contributor | Gale Research Company |
| Publisher | Gale Research Company, 1998 |
| ISBN | 0787611352, 9780787611354 |
| Export Citation | BiBTeX EndNote RefMan |