Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 37Gale Research Company, 1998 |
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Page 99
... hand " ( III.ii.109 ) . The actual kiss has less power than its representation . Margaret feels affec- tion not for her husband but for the substitute , who has usurped her heart and whose loss she cannot endure . Similarly , the power ...
... hand " ( III.ii.109 ) . The actual kiss has less power than its representation . Margaret feels affec- tion not for her husband but for the substitute , who has usurped her heart and whose loss she cannot endure . Similarly , the power ...
Page 127
... Hand D - her two lines suggest that she is now capable of thinking of nothing except " Shrieve More " ' s kindness to her brother , " Arthur Watchins " -when Hand S resumes his part she is once again at center stage , as attractive as ...
... Hand D - her two lines suggest that she is now capable of thinking of nothing except " Shrieve More " ' s kindness to her brother , " Arthur Watchins " -when Hand S resumes his part she is once again at center stage , as attractive as ...
Page 162
... hand is made to grasp a palmer's staff And not to grace an awful princely sceptre . That gold must round engirt these brows of mine , Whose smile and frown , like to Achilles ' spear , Is able with the change to kill and cure . Here is a ...
... hand is made to grasp a palmer's staff And not to grace an awful princely sceptre . That gold must round engirt these brows of mine , Whose smile and frown , like to Achilles ' spear , Is able with the change to kill and cure . Here is a ...
Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
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Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York