Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 37Gale Research Company, 1998 |
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Page 17
... force that has destroyed the protagonists and their world , even as it also guarantees the audience's relative pro- tection from that force by the saving grace of figura- tion . In comedy , even more crucially , wonder absorbs into ...
... force that has destroyed the protagonists and their world , even as it also guarantees the audience's relative pro- tection from that force by the saving grace of figura- tion . In comedy , even more crucially , wonder absorbs into ...
Page 175
... forces and a bigger fleet to harass a larger part of the world with their plunderings . " Though the story's moral ... force to override civil law's right to execute convicted fel- ons . Although Shakespeare avoids replicating the pi ...
... forces and a bigger fleet to harass a larger part of the world with their plunderings . " Though the story's moral ... force to override civil law's right to execute convicted fel- ons . Although Shakespeare avoids replicating the pi ...
Page 177
... force and mercy ; it reveals power's capacity to exceed law and to arrogate a fictional difference between subject and sovereign in order to legitimate that excess . Of Henry V's determination to follow his father's advice " to busy ...
... force and mercy ; it reveals power's capacity to exceed law and to arrogate a fictional difference between subject and sovereign in order to legitimate that excess . Of Henry V's determination to follow his father's advice " to busy ...
Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
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Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York