Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 37Gale Research Company, 1998 |
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Page 79
... final scene whereby the coincidences in Twelfth Night begin to produce simultaneity . The odd congruence of Orsino's and Antonio's three - month connection with Cesario , the similar claims on her loyalty from Olivia and Orsino , and ...
... final scene whereby the coincidences in Twelfth Night begin to produce simultaneity . The odd congruence of Orsino's and Antonio's three - month connection with Cesario , the similar claims on her loyalty from Olivia and Orsino , and ...
Page 188
... final scene of the play any lingering doubts about the legitimacy of his claims to France are easily for- gotten in the superficially playful charm of the wooing of Katharine . When even the French king and queen seem delighted with ...
... final scene of the play any lingering doubts about the legitimacy of his claims to France are easily for- gotten in the superficially playful charm of the wooing of Katharine . When even the French king and queen seem delighted with ...
Page 300
... final film ) . The servants ' quarters feature importantly in Edmund's stratagem , since it is here that he hides Edgar before arranging his escape . By imagining Edmund as a ser- vant , Brook was building a web of subtextual relation ...
... final film ) . The servants ' quarters feature importantly in Edmund's stratagem , since it is here that he hides Edgar before arranging his escape . By imagining Edmund as a ser- vant , Brook was building a web of subtextual relation ...
Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
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Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York