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Page 175
“ The figure who exceeds the law as its master and the one who exceeds it as transgressor , ” Christopher Pye explains of Henry V and the traitors Cambridge , Grey , and Scroop , " are indeed bound by an unspoken , perhaps unspeakable ...
“ The figure who exceeds the law as its master and the one who exceeds it as transgressor , ” Christopher Pye explains of Henry V and the traitors Cambridge , Grey , and Scroop , " are indeed bound by an unspoken , perhaps unspeakable ...
Page 389
... 105 deception 1 : 397 , 406 , 425 Elizabethan culture , relation to 19 : 195 Elizabethan politics , relation to 22 : 395 ; 28 : 203 Falstaff characterization 1 : 287 , 298 , 312 , 333 ; 25 : 245 ; 28 : 203 as comic figure 1 : 287 ...
... 105 deception 1 : 397 , 406 , 425 Elizabethan culture , relation to 19 : 195 Elizabethan politics , relation to 22 : 395 ; 28 : 203 Falstaff characterization 1 : 287 , 298 , 312 , 333 ; 25 : 245 ; 28 : 203 as comic figure 1 : 287 ...
Page 394
... 22 : 69 ; 25 : 257 motives in making the bond 4 : 252 , 263 , 266 , 268 ; 22 : 69 ; 25 : 22 as scapegoat figure 4 : 254 , 300 as traditional comic villain 4 : 230 , 243 , 261 , 263 , 315 ; 12 : 40 , 62 , 124 as tragic figure 12 : 6 ...
... 22 : 69 ; 25 : 257 motives in making the bond 4 : 252 , 263 , 266 , 268 ; 22 : 69 ; 25 : 22 as scapegoat figure 4 : 254 , 300 as traditional comic villain 4 : 230 , 243 , 261 , 263 , 315 ; 12 : 40 , 62 , 124 as tragic figure 12 : 6 ...
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Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Martha A Kurtz Rethinking Gender and Genre in the History Play | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
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action appears argues argument attempt audience authority becomes body Brutus called Cambridge cause character claim comedy concern course critics cultural death desire Drama Duke early effect Elizabethan England English fact father feel figure final follows force gender give Hamlet hand head Henry Henry's Holinshed human idea John John's kind King language Lear less lines live London Lord marriage means moral nature never noble once opening performance person Plautus play play's political position possible present Press produce question reference relation Renaissance response rhetoric Richard role says scene seems sense sexual Shakespeare social society speak speech stage Studies suggests Talbot tells things Thomas thought tion tradition true turn Twelfth Night women writing York young
Bibliographic information
| Title | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 37 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Contributor | Gale Research Company |
| Publisher | Gale Research Company, 1998 |
| ISBN | 0787611352, 9780787611354 |
| Export Citation | BiBTeX EndNote RefMan |