Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 37Gale Research Company, 1998 |
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Page 221
... feel for what is tragic in King Lear than almost anyone else who has written on the play , gets carried away with his own rhetoric : " there is no figure , surely , in the world of poetry at once so grand , so pathetic , and so ...
... feel for what is tragic in King Lear than almost anyone else who has written on the play , gets carried away with his own rhetoric : " there is no figure , surely , in the world of poetry at once so grand , so pathetic , and so ...
Page 244
... feel grief , and mourning for his father is the only expression of his ideals and charac- ter that he feels he can enact . However , the mourning does vex the King and Queen , and Hamlet is aware of this . Hence , since his anger at ...
... feel grief , and mourning for his father is the only expression of his ideals and charac- ter that he feels he can enact . However , the mourning does vex the King and Queen , and Hamlet is aware of this . Hence , since his anger at ...
Page 245
... feel the tragic qualm . The Ghost appears , and Hamlet responds in fear , love , and awe , as we would expect on the basis of what we have seen of his characteristic dispositions . Hamlet rejects his companions ' warnings of danger and ...
... feel the tragic qualm . The Ghost appears , and Hamlet responds in fear , love , and awe , as we would expect on the basis of what we have seen of his characteristic dispositions . Hamlet rejects his companions ' warnings of danger and ...
Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
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Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York