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Page 221
Even as perceptive a critic as Bradley , who has a better feel for what is tragic in King Lear than almost anyone else who has written on the play , gets carried away with his own rhetoric : " there is no figure , surely , in the world ...
Even as perceptive a critic as Bradley , who has a better feel for what is tragic in King Lear than almost anyone else who has written on the play , gets carried away with his own rhetoric : " there is no figure , surely , in the world ...
Page 244
That is , he does not explicitly say he feels only grief but implies this while merely saying he has inside him ... feel grief , and mourning for his father is the only expression of his ideals and character that he feels he can enact .
That is , he does not explicitly say he feels only grief but implies this while merely saying he has inside him ... feel grief , and mourning for his father is the only expression of his ideals and character that he feels he can enact .
Page 347
Moreover , the speaker's drama in Sonnet 35 is enhanced by the fact that we are allowed — indeed , virtually invited — to feel that he is discovering the complexity of his situation as the poem develops . The first line is grammatically ...
Moreover , the speaker's drama in Sonnet 35 is enhanced by the fact that we are allowed — indeed , virtually invited — to feel that he is discovering the complexity of his situation as the poem develops . The first line is grammatically ...
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Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Martha A Kurtz Rethinking Gender and Genre in the History Play | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
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Common terms and phrases
action appears argues argument attempt audience authority becomes body Brutus called Cambridge cause character claim comedy concern course critics cultural death desire Drama Duke early effect Elizabethan England English fact father feel figure final follows force gender give Hamlet hand head Henry Henry's Holinshed human idea John John's kind King language Lear less lines live London Lord marriage means moral nature never noble once opening performance person Plautus play play's political position possible present Press produce question reference relation Renaissance response rhetoric Richard role says scene seems sense sexual Shakespeare social society speak speech stage Studies suggests Talbot tells things Thomas thought tion tradition true turn Twelfth Night women writing York young
Bibliographic information
| Title | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 37 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Contributor | Gale Research Company |
| Publisher | Gale Research Company, 1998 |
| ISBN | 0787611352, 9780787611354 |
| Export Citation | BiBTeX EndNote RefMan |