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Page 169
In thee thy Mother dyes , our Households Name , My Deaths Reuenge , thy Youth , and Englands Fame . ... the son does not threaten to die at Talbot's foot but instead kneels to him and solicits death : “ Here on my knee I begge ...
In thee thy Mother dyes , our Households Name , My Deaths Reuenge , thy Youth , and Englands Fame . ... the son does not threaten to die at Talbot's foot but instead kneels to him and solicits death : “ Here on my knee I begge ...
Page 232
Fates , we will know your pleasures . That we shall die , we know ; ' tis but the time and drawing days out that men stand upon . CASCA . Why , he that cuts off twenty years of life cuts off so many years of fearing death . BRUTUS .
Fates , we will know your pleasures . That we shall die , we know ; ' tis but the time and drawing days out that men stand upon . CASCA . Why , he that cuts off twenty years of life cuts off so many years of fearing death . BRUTUS .
Page 324
34 The song's words emphasize death , intensify and beautify its finality ; its music enacts transformation , change , possibility . “ Full Fathom Five ” sings about “ sea change " ; it is itself , by means of its music , a kind of sea ...
34 The song's words emphasize death , intensify and beautify its finality ; its music enacts transformation , change , possibility . “ Full Fathom Five ” sings about “ sea change " ; it is itself , by means of its music , a kind of sea ...
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Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Martha A Kurtz Rethinking Gender and Genre in the History Play | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
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Common terms and phrases
action appears argues argument attempt audience authority becomes body Brutus called Cambridge cause character claim comedy concern course critics cultural death desire Drama Duke early effect Elizabethan England English fact father feel figure final follows force gender give Hamlet hand head Henry Henry's Holinshed human idea John John's kind King language Lear less lines live London Lord marriage means moral nature never noble once opening performance person Plautus play play's political position possible present Press produce question reference relation Renaissance response rhetoric Richard role says scene seems sense sexual Shakespeare social society speak speech stage Studies suggests Talbot tells things Thomas thought tion tradition true turn Twelfth Night women writing York young
Bibliographic information
| Title | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 37 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Contributor | Gale Research Company |
| Publisher | Gale Research Company, 1998 |
| ISBN | 0787611352, 9780787611354 |
| Export Citation | BiBTeX EndNote RefMan |