Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 37Gale Research Company, 1998 |
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Page 169
... death when I am dead , / The helpe of one stands me in little stead " ( 4.6.30-31 ; TLN 2201-2 ) . Once again , this distich could hardly have satisfied the young poet . In the first line , the phrase " Reuenge my death when I am dead ...
... death when I am dead , / The helpe of one stands me in little stead " ( 4.6.30-31 ; TLN 2201-2 ) . Once again , this distich could hardly have satisfied the young poet . In the first line , the phrase " Reuenge my death when I am dead ...
Page 232
... death . Both Caesar and Brutus declare it indifferent . Caesar insists that it is not death ( ' a nec- essary end ' ) but the fear of death that is an evil : ' Cowards die many times before their deaths ' ( 2. 2 . 32 , 36 ) . Brutus ...
... death . Both Caesar and Brutus declare it indifferent . Caesar insists that it is not death ( ' a nec- essary end ' ) but the fear of death that is an evil : ' Cowards die many times before their deaths ' ( 2. 2 . 32 , 36 ) . Brutus ...
Page 324
... death . Its rhythms move smoothly , not heavily ; as its words speak of death , it remains steady and soothing . The song begins also to speak not just of death but of change , and although the effects of this change are to ...
... death . Its rhythms move smoothly , not heavily ; as its words speak of death , it remains steady and soothing . The song begins also to speak not just of death but of change , and although the effects of this change are to ...
Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
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Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York