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Page 9
43 That “ blessedness , " moreover , is not presumed to be the reality of his culture but only a symbolic idealization challenging his aristocratic readers to a kind of creative , ethically oriented imitatio . changing cultural ...
43 That “ blessedness , " moreover , is not presumed to be the reality of his culture but only a symbolic idealization challenging his aristocratic readers to a kind of creative , ethically oriented imitatio . changing cultural ...
Page 44
When we look for how the cultural producers of the Age of Shakespeare , Marlowe , and Jonson imagined ... There we will find in the first place one of those antinomies of modernized cultures so endemic and basic to our thinking that it ...
When we look for how the cultural producers of the Age of Shakespeare , Marlowe , and Jonson imagined ... There we will find in the first place one of those antinomies of modernized cultures so endemic and basic to our thinking that it ...
Page 305
( In any attempt to reconstruct attitudes to cultural issues , whether in the past or the present , some over - simplification and generalization are unavoidable . Having said this , it should not be necessary to punctuate every ...
( In any attempt to reconstruct attitudes to cultural issues , whether in the past or the present , some over - simplification and generalization are unavoidable . Having said this , it should not be necessary to punctuate every ...
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Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Martha A Kurtz Rethinking Gender and Genre in the History Play | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
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action appears argues argument attempt audience authority becomes body Brutus called Cambridge cause character claim comedy concern course critics cultural death desire Drama Duke early effect Elizabethan England English fact father feel figure final follows force gender give Hamlet hand head Henry Henry's Holinshed human idea John John's kind King language Lear less lines live London Lord marriage means moral nature never noble once opening performance person Plautus play play's political position possible present Press produce question reference relation Renaissance response rhetoric Richard role says scene seems sense sexual Shakespeare social society speak speech stage Studies suggests Talbot tells things Thomas thought tion tradition true turn Twelfth Night women writing York young