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Page 183
In Henry V the king conceals his sovereign identity under a subject's cloak , passing among his men unrecognized in order to justify the cause for which they are prepared to fight.99 Ironically , it is the king who , in this scene ...
In Henry V the king conceals his sovereign identity under a subject's cloak , passing among his men unrecognized in order to justify the cause for which they are prepared to fight.99 Ironically , it is the king who , in this scene ...
Page 193
That Henry himself seems to be satisfied with the archbishop's exposition of Salic Law does not mean that he is a " conniving hypocrite . " What we see in this scene is a king first confirming that he has a " well - hallow'd cause ” ...
That Henry himself seems to be satisfied with the archbishop's exposition of Salic Law does not mean that he is a " conniving hypocrite . " What we see in this scene is a king first confirming that he has a " well - hallow'd cause ” ...
Page 216
Cordelia : No cause , no cause . ( 4.7.72-74 ) himself and Cordelia as if they were all spirit and no body ; the result of this contrary view of human nature as purely spiritual is to eliminate every need for political action ; Lear and ...
Cordelia : No cause , no cause . ( 4.7.72-74 ) himself and Cordelia as if they were all spirit and no body ; the result of this contrary view of human nature as purely spiritual is to eliminate every need for political action ; Lear and ...
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Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Martha A Kurtz Rethinking Gender and Genre in the History Play | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
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action appears argues argument attempt audience authority becomes body Brutus called Cambridge cause character claim comedy concern course critics cultural death desire Drama Duke early effect Elizabethan England English fact father feel figure final follows force gender give Hamlet hand head Henry Henry's Holinshed human idea John John's kind King language Lear less lines live London Lord marriage means moral nature never noble once opening performance person Plautus play play's political position possible present Press produce question reference relation Renaissance response rhetoric Richard role says scene seems sense sexual Shakespeare social society speak speech stage Studies suggests Talbot tells things Thomas thought tion tradition true turn Twelfth Night women writing York young
Bibliographic information
| Title | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 37 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Contributor | Gale Research Company |
| Publisher | Gale Research Company, 1998 |
| ISBN | 0787611352, 9780787611354 |
| Export Citation | BiBTeX EndNote RefMan |