Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 37Gale Research Company, 1998 |
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Page 128
... called for in the stage direction before I.ii and contrasted with the public spaces called for at the beginning and end of the play.22 Within these interior spaces , More is shown " at home " -greeting his friend Erasmus with a ...
... called for in the stage direction before I.ii and contrasted with the public spaces called for at the beginning and end of the play.22 Within these interior spaces , More is shown " at home " -greeting his friend Erasmus with a ...
Page 336
... called classical unities most looks forward to a new world . Perhaps the nub of the problem of interpretation of The Tempest derives from the stresses between the rules of genre and the historical changes that have transformed the ...
... called classical unities most looks forward to a new world . Perhaps the nub of the problem of interpretation of The Tempest derives from the stresses between the rules of genre and the historical changes that have transformed the ...
Page 353
... called undisputed are few . In 1599 William Jaggard pub- lished two of the Sonnets ( 138 and 144 ) in a collec- tion of poems called The Passionate Pilgrim , in which a number of other poems , some of them now firmly identified as being ...
... called undisputed are few . In 1599 William Jaggard pub- lished two of the Sonnets ( 138 and 144 ) in a collec- tion of poems called The Passionate Pilgrim , in which a number of other poems , some of them now firmly identified as being ...
Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
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Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York