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Page 64
41 Although there is a play called “ Inganni , " Manningham was almost certainly thinking of Gl'Ingannati or " The Deceived , ” a play by the Accademia degli Intronati di Siena , written as an apology to the ladies for a sketch ...
41 Although there is a play called “ Inganni , " Manningham was almost certainly thinking of Gl'Ingannati or " The Deceived , ” a play by the Accademia degli Intronati di Siena , written as an apology to the ladies for a sketch ...
Page 128
... demarcated on the stage by the curtained space called for in the stage direction before I.ii and contrasted with the public spaces called for at the beginning and end of the play.22 Within these interior spaces , More is shown “ at ...
... demarcated on the stage by the curtained space called for in the stage direction before I.ii and contrasted with the public spaces called for at the beginning and end of the play.22 Within these interior spaces , More is shown “ at ...
Page 176
But because I doe it with a little ship onely , I am called a theefe : thou doing it with a great Nauie , art called an Emperour . " Applications of Dionides's bold comparison probed beyond the problem of king as conqueror to touch the ...
But because I doe it with a little ship onely , I am called a theefe : thou doing it with a great Nauie , art called an Emperour . " Applications of Dionides's bold comparison probed beyond the problem of king as conqueror to touch the ...
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Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Martha A Kurtz Rethinking Gender and Genre in the History Play | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
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action appears argues argument attempt audience authority becomes body Brutus called Cambridge cause character claim comedy concern course critics cultural death desire Drama Duke early effect Elizabethan England English fact father feel figure final follows force gender give Hamlet hand head Henry Henry's Holinshed human idea John John's kind King language Lear less lines live London Lord marriage means moral nature never noble once opening performance person Plautus play play's political position possible present Press produce question reference relation Renaissance response rhetoric Richard role says scene seems sense sexual Shakespeare social society speak speech stage Studies suggests Talbot tells things Thomas thought tion tradition true turn Twelfth Night women writing York young
Bibliographic information
| Title | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 37 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Contributor | Gale Research Company |
| Publisher | Gale Research Company, 1998 |
| ISBN | 0787611352, 9780787611354 |
| Export Citation | BiBTeX EndNote RefMan |