Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 37Gale Research Company, 1998 |
From inside the book
Results 1-3 of 86
Page 78
... becomes enam- ored of Orsino in three days , and Sebastian becomes the beloved of Antonio in three months . 14 This temporal disjunction provokes interesting responses from both critics and producers of the play . The stan- dard ...
... becomes enam- ored of Orsino in three days , and Sebastian becomes the beloved of Antonio in three months . 14 This temporal disjunction provokes interesting responses from both critics and producers of the play . The stan- dard ...
Page 98
... becomes a metaphor for the power of the dominant culture , the power to make history . Rather astutely , Cade's revo- lution recognizes the absence of a center in the body politic as warring factions vie for supremacy . In deciding to ...
... becomes a metaphor for the power of the dominant culture , the power to make history . Rather astutely , Cade's revo- lution recognizes the absence of a center in the body politic as warring factions vie for supremacy . In deciding to ...
Page 235
... becomes a social role . Names such as ' Brutus ' and ' Caesar ' become the labels of a persona , a publicly defined role which the bearer of the name must play.37 We see this most clearly in the device which John W. Velz has usefully ...
... becomes a social role . Names such as ' Brutus ' and ' Caesar ' become the labels of a persona , a publicly defined role which the bearer of the name must play.37 We see this most clearly in the device which John W. Velz has usefully ...
Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
14 other sections not shown
Other editions - View all
Common terms and phrases
Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York