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Page 38
Shakespeare's conclusion to this line of action in the play resonates suggestively with the passage in Lear that exposes “ the great image of authority ” ( 4.6.158ff . ) . Here , the Clown says of Autolycus , “ He seems to be of great ...
Shakespeare's conclusion to this line of action in the play resonates suggestively with the passage in Lear that exposes “ the great image of authority ” ( 4.6.158ff . ) . Here , the Clown says of Autolycus , “ He seems to be of great ...
Page 115
( MacCaffrey xxxi ) In this way , it is not established authority or church law or custom but individual will and disputation produced by selected university theologians which constitute the legal basis for the King's decision to press ...
( MacCaffrey xxxi ) In this way , it is not established authority or church law or custom but individual will and disputation produced by selected university theologians which constitute the legal basis for the King's decision to press ...
Page 336
What my reading attempts is an interpretation that takes into account the aesthetic question of genre and the political question of authority and rebellion but through the literary and dramatic text of The Tempest itself and not through ...
What my reading attempts is an interpretation that takes into account the aesthetic question of genre and the political question of authority and rebellion but through the literary and dramatic text of The Tempest itself and not through ...
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Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Martha A Kurtz Rethinking Gender and Genre in the History Play | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
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Common terms and phrases
action appears argues argument attempt audience authority becomes body Brutus called Cambridge cause character claim comedy concern course critics cultural death desire Drama Duke early effect Elizabethan England English fact father feel figure final follows force gender give Hamlet hand head Henry Henry's Holinshed human idea John John's kind King language Lear less lines live London Lord marriage means moral nature never noble once opening performance person Plautus play play's political position possible present Press produce question reference relation Renaissance response rhetoric Richard role says scene seems sense sexual Shakespeare social society speak speech stage Studies suggests Talbot tells things Thomas thought tion tradition true turn Twelfth Night women writing York young
Bibliographic information
| Title | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 37 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Contributor | Gale Research Company |
| Publisher | Gale Research Company, 1998 |
| ISBN | 0787611352, 9780787611354 |
| Export Citation | BiBTeX EndNote RefMan |