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Page 60
I am ignorant of the effect of Laqueur's argument on nineteenth - century criticism , but the impact on Renaissance studies has been considerable . Writing in 1986 Laqueur cites , in a footnote , a paper on Shakespeare's Twelfth Night ...
I am ignorant of the effect of Laqueur's argument on nineteenth - century criticism , but the impact on Renaissance studies has been considerable . Writing in 1986 Laqueur cites , in a footnote , a paper on Shakespeare's Twelfth Night ...
Page 72
For here once again Shakespeare has chastened the argument of a neoTerentian play in such a way as to maximize the interpretative possibilities , and consequently the historical tenacity , of the English dramatic text .
For here once again Shakespeare has chastened the argument of a neoTerentian play in such a way as to maximize the interpretative possibilities , and consequently the historical tenacity , of the English dramatic text .
Page 74
In this part of my argument , I draw on evidence represented more fully in my book , The Usurer's Daughter , ( London : Routledge , 1994 ) chs . 5 and 6 . 21 Judith C. Bown , Immodest Acts : the Life of a Lesbian Nun in Renaissance ...
In this part of my argument , I draw on evidence represented more fully in my book , The Usurer's Daughter , ( London : Routledge , 1994 ) chs . 5 and 6 . 21 Judith C. Bown , Immodest Acts : the Life of a Lesbian Nun in Renaissance ...
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Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Martha A Kurtz Rethinking Gender and Genre in the History Play | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
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action appears argues argument attempt audience authority becomes body Brutus called Cambridge cause character claim comedy concern course critics cultural death desire Drama Duke early effect Elizabethan England English fact father feel figure final follows force gender give Hamlet hand head Henry Henry's Holinshed human idea John John's kind King language Lear less lines live London Lord marriage means moral nature never noble once opening performance person Plautus play play's political position possible present Press produce question reference relation Renaissance response rhetoric Richard role says scene seems sense sexual Shakespeare social society speak speech stage Studies suggests Talbot tells things Thomas thought tion tradition true turn Twelfth Night women writing York young