Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 37Gale Research Company, 1998 |
From inside the book
Results 1-3 of 80
Page 131
... argues that " Margaret's actions are unnatural because unwomanly " -in other words , that they would be natural in a man — and An- gela Pitt says that she is " totally evil and unnatural because she lacks womanly qualities . In their ...
... argues that " Margaret's actions are unnatural because unwomanly " -in other words , that they would be natural in a man — and An- gela Pitt says that she is " totally evil and unnatural because she lacks womanly qualities . In their ...
Page 154
... argues that music will transnature a young man " into a womã , or worse " ( C [ 1 ] -C2 ′ , 05 ) . On Castiglione and fears of effeminacy in early modern Europe , see Thomas Laq- ueur , Making Sex : Body and Gender from the Greeks to ...
... argues that music will transnature a young man " into a womã , or worse " ( C [ 1 ] -C2 ′ , 05 ) . On Castiglione and fears of effeminacy in early modern Europe , see Thomas Laq- ueur , Making Sex : Body and Gender from the Greeks to ...
Page 241
... argues that Hamlet is unable to define the truth of his subjectivity directly and fully because his interiority is merely " gestural , " so that at his center there is " noth- ing " ( 36-7 ; cf. Belsey , Subject 41 ) . Contrary both to ...
... argues that Hamlet is unable to define the truth of his subjectivity directly and fully because his interiority is merely " gestural , " so that at his center there is " noth- ing " ( 36-7 ; cf. Belsey , Subject 41 ) . Contrary both to ...
Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
14 other sections not shown
Other editions - View all
Common terms and phrases
Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York