Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 37Gale Research Company, 1998 |
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Page 20
... appears five times , concluding with : But this I think , there's no man is so vain That would refuse so fair an offered chain . ( III.ii.185-6 ) The metaphoric connection between the two offers is sustained by that chain of " chains ...
... appears five times , concluding with : But this I think , there's no man is so vain That would refuse so fair an offered chain . ( III.ii.185-6 ) The metaphoric connection between the two offers is sustained by that chain of " chains ...
Page 173
... appears on pages 105-6 . Line numbers are drawn from Shakespeare's Ovid : Being Arthur Golding's Transla- tion of the Metamorphosis . ed . W. H. D. Rouse ( Lon- don : Centaur Press , 1961 ) . The phrase " hurtfull art " appears on line ...
... appears on pages 105-6 . Line numbers are drawn from Shakespeare's Ovid : Being Arthur Golding's Transla- tion of the Metamorphosis . ed . W. H. D. Rouse ( Lon- don : Centaur Press , 1961 ) . The phrase " hurtfull art " appears on line ...
Page 174
... appears to be a troublesome afterthought . A reasonable inference from these snags in the text is that there were ... appear on stage until the audience had been prepared for his arrival . Shakespeare was therefore compelled to return to ...
... appears to be a troublesome afterthought . A reasonable inference from these snags in the text is that there were ... appear on stage until the audience had been prepared for his arrival . Shakespeare was therefore compelled to return to ...
Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
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Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York