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Page 154
( New York and London : Methuen , 1985 ) , 116-37 ; and also by Dympna Callaghan , Woman and Gender in Renaissance Tragedy : A Study of King Lear , Othello , The Duchess of Malfi and The White Devil ( Atlantic Highlands ...
( New York and London : Methuen , 1985 ) , 116-37 ; and also by Dympna Callaghan , Woman and Gender in Renaissance Tragedy : A Study of King Lear , Othello , The Duchess of Malfi and The White Devil ( Atlantic Highlands ...
Page 162
At a figurative level , York's speech decapitates Henry as a usurper ; the king's head implicitly joins Cade's . What emerges , especially as a consequence of the sight of Cade's head onstage ...
At a figurative level , York's speech decapitates Henry as a usurper ; the king's head implicitly joins Cade's . What emerges , especially as a consequence of the sight of Cade's head onstage ...
Page 174
Shakespeare therefore allowed York to call the character “ Lucie ” in 4.3 and he substituted Lu . for Herald in 4.7 . It would seem then , that Shakespeare's concentration of attention on the father - son scenes represents a departure ...
Shakespeare therefore allowed York to call the character “ Lucie ” in 4.3 and he substituted Lu . for Herald in 4.7 . It would seem then , that Shakespeare's concentration of attention on the father - son scenes represents a departure ...
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Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Martha A Kurtz Rethinking Gender and Genre in the History Play | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
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action appears argues argument attempt audience authority becomes body Brutus called Cambridge cause character claim comedy concern course critics cultural death desire Drama Duke early effect Elizabethan England English fact father feel figure final follows force gender give Hamlet hand head Henry Henry's Holinshed human idea John John's kind King language Lear less lines live London Lord marriage means moral nature never noble once opening performance person Plautus play play's political position possible present Press produce question reference relation Renaissance response rhetoric Richard role says scene seems sense sexual Shakespeare social society speak speech stage Studies suggests Talbot tells things Thomas thought tion tradition true turn Twelfth Night women writing York young
Bibliographic information
| Title | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 37 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Contributor | Gale Research Company |
| Publisher | Gale Research Company, 1998 |
| ISBN | 0787611352, 9780787611354 |
| Export Citation | BiBTeX EndNote RefMan |