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Page 134
John's use in this context by anti - Catholic polemicists has been well documented.23 Foxe's account in the Acts and Monuments limits itself to religious matters , and places John within the perspective of the struggle between the true ...
John's use in this context by anti - Catholic polemicists has been well documented.23 Foxe's account in the Acts and Monuments limits itself to religious matters , and places John within the perspective of the struggle between the true ...
Page 137
54 characterises John's clothing as simple ( “ cloak and center ” ) and unlikely to last the tempest of disorder in the realm . Thus , although the whole speech is clearly critical of John , and registers Arthur's loss , Falconbridge is ...
54 characterises John's clothing as simple ( “ cloak and center ” ) and unlikely to last the tempest of disorder in the realm . Thus , although the whole speech is clearly critical of John , and registers Arthur's loss , Falconbridge is ...
Page 140
This muddle can be read as either denoting John's personal muddle ( he has lost the crown but tries to persuade himself he hasn't ) or as a piece of obliquity for which there is no clear interpretation ( though the implication is that ...
This muddle can be read as either denoting John's personal muddle ( he has lost the crown but tries to persuade himself he hasn't ) or as a piece of obliquity for which there is no clear interpretation ( though the implication is that ...
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Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Martha A Kurtz Rethinking Gender and Genre in the History Play | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
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action appears argues argument attempt audience authority becomes body Brutus called Cambridge cause character claim comedy concern course critics cultural death desire Drama Duke early effect Elizabethan England English fact father feel figure final follows force gender give Hamlet hand head Henry Henry's Holinshed human idea John John's kind King language Lear less lines live London Lord marriage means moral nature never noble once opening performance person Plautus play play's political position possible present Press produce question reference relation Renaissance response rhetoric Richard role says scene seems sense sexual Shakespeare social society speak speech stage Studies suggests Talbot tells things Thomas thought tion tradition true turn Twelfth Night women writing York young