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Page 112
And Raphael Holinshed himself , a principal source for Henry VIII , openly bemoans the historian's inability to be an witness to all that happens himself and the unfortunate need “ to inquire of moderne eie - witnesses for the true ...
And Raphael Holinshed himself , a principal source for Henry VIII , openly bemoans the historian's inability to be an witness to all that happens himself and the unfortunate need “ to inquire of moderne eie - witnesses for the true ...
Page 139
Shakespeare and Holinshed wrote confusing texts because each believed that confusion was not sedition ” .60 Braunmuller's useful formulation of the available strategies is confirmed in Holinshed's preface to the reader : " I have in ...
Shakespeare and Holinshed wrote confusing texts because each believed that confusion was not sedition ” .60 Braunmuller's useful formulation of the available strategies is confirmed in Holinshed's preface to the reader : " I have in ...
Page 166
Holinshed had not only reported how Talbot had been shot , but also that he spoke with his son , Lord Lisle , shortly before the battle : ... after [ Talbot ) perceiued there was no remedie , but present losse of the battell ...
Holinshed had not only reported how Talbot had been shot , but also that he spoke with his son , Lord Lisle , shortly before the battle : ... after [ Talbot ) perceiued there was no remedie , but present losse of the battell ...
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Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Martha A Kurtz Rethinking Gender and Genre in the History Play | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
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action appears argues argument attempt audience authority becomes body Brutus called Cambridge cause character claim comedy concern course critics cultural death desire Drama Duke early effect Elizabethan England English fact father feel figure final follows force gender give Hamlet hand head Henry Henry's Holinshed human idea John John's kind King language Lear less lines live London Lord marriage means moral nature never noble once opening performance person Plautus play play's political position possible present Press produce question reference relation Renaissance response rhetoric Richard role says scene seems sense sexual Shakespeare social society speak speech stage Studies suggests Talbot tells things Thomas thought tion tradition true turn Twelfth Night women writing York young