Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 37Gale Research Company, 1998 |
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Page 255
... Hamlet following the play - within - the - play shows how tragedy arises from mutual misunderstanding . Hamlet thinks he has proven the King's guilt , and in his ex- citement he does not seem to understand that his friends think he has ...
... Hamlet following the play - within - the - play shows how tragedy arises from mutual misunderstanding . Hamlet thinks he has proven the King's guilt , and in his ex- citement he does not seem to understand that his friends think he has ...
Page 261
... Hamlet is so preposterously oblivious to the reali- ties that he is probably sincere . In saying he will match Laertes's expressions of grief , Hamlet does not see that Laertes's grief is heightened to a furious passion by vengeful ...
... Hamlet is so preposterously oblivious to the reali- ties that he is probably sincere . In saying he will match Laertes's expressions of grief , Hamlet does not see that Laertes's grief is heightened to a furious passion by vengeful ...
Page 265
... Hamlet's grammar is not used by him or Shakespeare to construct a subject position in Burns's sense ; Hamlet's grammar is an expression of his sub- jectivity as constructed by Shakespeare in the rhetori- cal mode of mimesis . Thus Hamlet ...
... Hamlet's grammar is not used by him or Shakespeare to construct a subject position in Burns's sense ; Hamlet's grammar is an expression of his sub- jectivity as constructed by Shakespeare in the rhetori- cal mode of mimesis . Thus Hamlet ...
Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
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Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York