Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 37Gale Research Company, 1998 |
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Page 2
... Elizabethan cul- ture , and that engagement is evidenced in the formal elements of his play ( most particularly in its pastoral form , an issue that will be examined in greater detail in subsequent sections ) . But if As You Like It is ...
... Elizabethan cul- ture , and that engagement is evidenced in the formal elements of his play ( most particularly in its pastoral form , an issue that will be examined in greater detail in subsequent sections ) . But if As You Like It is ...
Page 12
... Elizabethan drama . ' We need to note first some significant shifts in the character of perfor- mance as a social occasion . The medieval plays . . . emerge from a community - based , large - scale orga- nization of a recurrent and ...
... Elizabethan drama . ' We need to note first some significant shifts in the character of perfor- mance as a social occasion . The medieval plays . . . emerge from a community - based , large - scale orga- nization of a recurrent and ...
Page 16
... Elizabethan theatre became a self - con- scious site of surrogate ritual in a world whose reas- suring solidity of symbolic practice was being eroded : " I am suggesting . . . that the public theatre absorbs some vital functions of ...
... Elizabethan theatre became a self - con- scious site of surrogate ritual in a world whose reas- suring solidity of symbolic practice was being eroded : " I am suggesting . . . that the public theatre absorbs some vital functions of ...
Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
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Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York