Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 37Gale Research Company, 1998 |
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Page 16
... drama : it does just as well for Euripides , Goethe , Chekhov , or even Brecht.18 Montrose's remarks are the more frustrating because he is surely right about Shakespeare's attentiveness to the ritual aspects of the dramatic language ...
... drama : it does just as well for Euripides , Goethe , Chekhov , or even Brecht.18 Montrose's remarks are the more frustrating because he is surely right about Shakespeare's attentiveness to the ritual aspects of the dramatic language ...
Page 130
... drama did not mean that they were necessarily insignificant in such drama . In some plays , at least , the " feminine " is as powerful a force as the " masculine , " both in the audience's sympathies and , at times , in the fictional ...
... drama did not mean that they were necessarily insignificant in such drama . In some plays , at least , the " feminine " is as powerful a force as the " masculine , " both in the audience's sympathies and , at times , in the fictional ...
Page 267
... Drama ( New York : Viking ; Toronto : Mac- millan , 1975 ) . Goldman , Michael , “ Hamlet : Entering the Text , " The- atre Journal , 44 ( 1992 ) : 449-60 . Goldman , Michael , Shakespeare and the Energies of Drama ( Princeton ...
... Drama ( New York : Viking ; Toronto : Mac- millan , 1975 ) . Goldman , Michael , “ Hamlet : Entering the Text , " The- atre Journal , 44 ( 1992 ) : 449-60 . Goldman , Michael , Shakespeare and the Energies of Drama ( Princeton ...
Contents
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Copyright | |
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Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York