Beyond Nola: New Orleans Reviews of ArtCollects 20 years of New Orleans Art Review essays concerning art from beyond New Orleans. Topics include Balthus, Beuys, Calder, Colescott, Cornell, Dubuffet, Haake, Manet, Mapplethorpe, Ringgold, Rothko, Ronald Reagan and Norman Rockwell. |
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Contents
Eros at a Priestly Distance | 9 |
Man Plan 15 | 15 |
Tremors of Life 24 | 24 |
Cubism and the Bible | 38 |
A Note on the Paintings | 44 |
Dubuffet the Writer | 51 |
Eggleston and Irony | 58 |
Burlesque with a Kind Heart | 67 |
Mapplethorpe | 97 |
Mondrians God | 107 |
Alice Neel Portraiture | 126 |
Anarchic Picasso | 133 |
Forever Pop | 142 |
Ringgold Quilts 159 | 159 |
On Rothkos Last Paintings | 167 |
Five Notes on Wyeth | 184 |
Common terms and phrases
abstract expressionism achieve aesthetic Alice Neel American anarchist Appelt Art Institute art's artist avant-garde Balthus becomes Beuys blockbuster Bultman Calder's celebration Colescott collages color constitute Contemporary Arts Center course Cubism culture depicted Diebenkorn Dostoevsky Dubuffet Dufy early Édouard Manet Ellsworth Kelly essay essence exhibition experience famous figure formal gallery Gauguin gesture Grooms Haacke Hegel Helga human images Impressionist instances irony Jean Dubuffet Joseph Beuys Joseph Cornell Judd's Kelly's Les Demoiselles D'avignon look Manet's Mapplethorpe Marguerite Oestreicher Mark Rothko Matisse modern art modernist Mondrian Monet Motherwell Neel's neo-Dada Nerdrum's Norman Rockwell noted notion nude objects oeuvre Orleans Orleans Museum painter paintings perhaps perspective Picasso pictorial pieces Piet Mondrian Pissarro political portraits postmodern quilt realist reality Robert Motherwell romantic satire sculpture seems sense social space spleen Steve Bachmann suggest Surrealism Terrington Calas theme thing tion tradition truth ultimately vanGogh Warhol Wyeth York