Mr. Greenfut. Never: I wonder when it will be over? Mr. Eelskin. We'd better not go away; the ballet will begin presently, and I'm sure you'll like the dancing, Miss, for, excepting the Westrisis, and your own sweet self, I never saw better dancing. Miss Theodosia. Yes, I loves dancing; and at the last Cripplegate ball, the master of the ceremonies paid me several compli ments. Miss Arabella. Why do all the dancers wear plaids, mamma? Mrs. Greenfat. Because it's a cool dress, dear. Mr. Greenfat. Well, if a girl of mine whisked her petticoats about in that manner, I'd have her horsewhipped. Mr. Eelskin. Now we'll take a stroll till the concert begins again. This is the marine cave-very natural to look at, Miss, but nothing but paint and canvass, I assure you. This is the rewolving evening war for the present; after the fire-works, it still change into his majesty, King George. Yonder's the hermit and his cat. Master Peter. Mamma, does that old man always sit there? Mrs. Greenfat. I'm sure I don't know, child; does he, Mr. Eelskin? Mr. Greenfat. Nonsense-it's all gammon! Mr. Eelskin. This way, my angel; the concert has recommenced. Miss Theodosia. Oh, that's Charles Taylor; I likes his singing; he's such a merry fellow do hancore him, John. Mrs. Greenfat. Dosee, my dear, you're too bold; it was a very impurent song: I declare I'm quite ashamed of you! Mr. Greenfat. Never mince matters; always speak your mind, girl. Mr. Eelskin. The fire-works come next. Suppose we get nearer the Moorish tower, and look for good places, as Mr. G. dislikes paying for the gallery. Now you'll not be afeard; there'll not be the least danger, depend. Mrs. Greenfat. Is there much smoke, Mr. John?-Do they fire many cannons? -I hates cannons-and smoke makes me cough. (Bell rings.) Run, run, my dearsHumphy, Peter, Bella, run! Mr. Greenfat, run, or we shall be too late! Eelskin and Dosee are a mile afore us! What's that red light? Oh, we shall all be burnt! What noise is that?-Oh, it's the bomb in the Park!-We shall all be burnt! Mr. Greenfat. Nonsense, woman, don't frighten the children! Miss Theodosia. Now you're sure the rockets won't fall on my new pink bonnet, nor the smoke soil my French white dress, nor the smell of the powder frighten me into fits?—Now you're quite sure of it, John? Mr. Eelskin. Quite sure, my charmer: I have stood here repeatedly, and never had a hair of my head hurt. See, Blackmore is on the rope; there he goes up-up-up! Isn't it pretty, Miss? Miss Theodosia. Oh, delightful !-Does he never break his neck? Mr. Eelskin. Never-it's insured! Now he descends. How they shoot the maroons at him! Don't be afeard, lovee, they sha'n't hurt you. See, Miss, how gracefully he bows to you. Isn't it terrific? Miss Theodosia. Is this all?-I thought it would last for an hour, at least. John, I'm so hungry; I hope papa means to have supper? Master Peter. Mamma, I'm so hungry. Master Humphrey. Papa, I'm so dry. Miss Arabella. Mamma, I want somewhat to eat. Mrs. Greenfat. Greenfat, my dear, we must have some refreshments. Mr. Greenfat. Refreshments! where will you get them? All the boxes are full. -Oh, here's one. Waiter! what, the devil, call this a dish of beef?-It don't weigh three ounces! Bring half a gallon of stout, and plenty of bread. Can't we have some water for the children? Mr. Eelskin. Shouldn't we have a little wine, sir?-it's more genteeler. Mr. Greenfat. Wine, Eelskin, wine !Bad sherry at six shillings a bottle!Couldn't reconcile it to my conscience -We'll stick to the stout. Mrs. Greenfat. Eat, my loves.-Some more bread for Bella.-There's a bit of fat for you, Peter.-Humphy, you shall have my crust.-Pass the stout to Dosee, Mr. John.-Don't drink it all, my dear! Mr. Greenfat. Past two o'clock !-Shameful!-Waiter, bring the bill. Twelve shillings and eightpence. abominable! Charge a shilling a pot for stout-monstrous! Well, no matter; we'll walk home. Come along. Stratford upon Avon Church. From a sepia drawing, obligingly communicated by J. S. J., the reader is presented with this view of a church, "hallowed by being the sepulchral enclosure of the remains of the immortal Shakspeare." It exemplifies the two distinct styles, the early pointed and that of the fourteenth century. The tower is of the first construction; the windows of the transepts possess a preeminent and profuse display of the mullions and tracery characteristic of the latter period." Mr. Carter, in the Gentleman's Magazine, 1816. VOL. I.-15 This structure is spacious and handsome, and was formerly collegiate, and dedicated to the Holy Trinity. A row of limes trained so as to form an arched avenue form an approach to the great door. A representation of a portion of this plea entrance is in an engraving of the church in the "Gentleman's Magazine" for 1807. Another opportunity will occur for rela ting particulars respecting the venerable edifice, and the illustrious bard, whose birth and burial at Stratford upon Avon confer on the town imperishable fame. Garrick Plays. No. XII. [From the "Brazen Age," an Historical Play, by Thomas Heywood, 1613.] Venus courts Adonis. Venus. Why doth Adonis fly the Queen of Love, My beauty that charms Gods, makes Men amazed With my I have heat to melt thee; I am Queen of Love. Of which I am not mistress, and can use. love. Thou shalt not, Adon, take me by the hand; Phoebus jeers Vulcan. Vul. Good morrow, Phoebus; what's the news abroad? For thou see'st all things in the world are done, Phab. Sometime I cast my eye upon the sea, With my warm fervour to give metals, trees, I can assist with my transparent rays. Here spy I cattle feeding; forests there Stored with wild beasts; here shepherds with their lasses, Piping beneath the trees while their flocks graze. Vul. Thrice happy Phoebus, That, whilst poor Vulcan is confin'd to Lemnos, I see all coronations, funerals, Marts, fairs, assemblies, pageants, sights and shows. And, shall I tell thee, Vulcan, 'tother day Vul. God Mars Phab. As I was peeping through a cranny, a-bedVul. Abed with whom?-some pretty Wench, I warrant. Phab. She was a pretty Wench. Vul. Tell me, good Phœbus, That, when I meet him, I may flout God Mars; Phab. Not to dissemble, Vulcan, 'twas thy Wife! The Peers of Greece go in quest of Hercules, and find him in woman's weeds, spinning with Omphale. Jason. Our business was to Theban Hercules. 'Twas told us, he remain'd with Omphale, The Theban Queen. Telamon, Speak, which is Omphale? or which Alcides? Pollur. Lady, our purpose was to Hercules; Shew us the man. Omphale. Behold him here. Atreus. Where? Omphale. There, at his task. Jason. Alas, this Hercules ! This is some base effeminate Groom, not he Hercules. Hath Jason, Nestor, Castor, Telamon, Jason. Woman, we know thee not: Th' Erimanthian boar, the bull of Marathon, Pollar. That freed Hesione From the sea whale, and after ransack'd Troy, Nestor. He by whom Dercilus and Albion fell; Atreus. That monstrous Geryon with his three heads vanquisht, With Linus, Lichas that usurpt in Thebes, Poller. That Hercules by whom the Centaurs fell, Great Achelous, the Stymphalides, And the Cremona giants: where is he? Telamon. That trait'rous Nessus with a shaft transfixt, Strangled Anthens, purged Augeus' stalls, Jason. He that the Amazonian baldrick won ; Atreus. To him we came; but, since he lives not here, Come, Lords; we will return these presents back Hercules. Stay, Lords Jason. 'Mongst women ? Hercules. For that Theban's sake, Whom you profess to love, and came to seek, Did we all this? Where is that spirit become, That thou be'st strange to them, that thus disguised I cannot take leave of this Drama without noticing a touch of the truest pathos, which the writer has put into the mouth of Meleager, as he is wasting away by the operation of the fatal brand, administered to him by his wretched Mother. My flame encreaseth still-Oh father Eneus; What is the boasted "Forgive me, but forgive me!" of the dying wife of Shore in Rowe, compared with these three little words? C. L. Topography. ST. MARGARET'S AT CLIFF. For the Table Book. Stand still. How fearful And dizzy 'tis to cast one's eyes so low! SHAKSPEARE. The village of St. Margaret's at Cliff is situated at a small distance from the South Foreland, and about a mile from the high road half way between Dover and Deal. It was formerly of some consequence, on account of its fair for the encouragement of traders, held in the precincts of its priory, which, on the dissolution of the monastic establishments by Henry VIII, losing its privilege, or rather its utility, (for the fair is yet held,) the village degenerated into an irregular group of poor cottages, a decent farm-house, and an academy for boys, one of the best commercial school establishments in the county of Kent. The church, though time has written strange defeatures on its mouldering walls, still bears the show of former importance; but its best claim on the inquisitive stranger is the evening toll of its single bell, which is generally supposed to be the curfew, but is of a more useful and honourable character. It was established by the testament of one of its inhabitants in the latter part of the seventeenth century, for the guidance of the wanderer from the peril of the neighbouring precipices, over which the testator fell, and died from the injuries he received. He bequeathed the rent of a piece of land for ever, to be paid to the village sexton for tolling the bell every evening at eight o'clock, when it should be dark at that hour The cliffs in the range eastward of Dover to the Foreland are the most precipitous, but not so high as Shakspeare's. They are the resort of a small fowl of the widgeon species, but something less than the widgeon, remarkable for the size of its egg, which is larger than the swan's, and of a pale green, spotted with brown; it makes its appearance in May, and, choosing the most inaccessible part of the precipice, deposits its eggs, two in number, in holes, |