 It is my design to render it manifest that no one point in its composition is referable either to accident or intuition — that the work proceeded step by step to its completion with the precision and rigid consequence of a mathematical problem.  Roman Ingarden's Ontology and Aesthetics - Page 144by Jeff Mitscherling, Jeffrey Anthony Mitscherling - 1997 - 245 pagesLimited preview - About this book
 | Edgar Allan Poe, Nathaniel Parker Willis - American literature - 1853 - 522 pages
...manifest, that. ;uft.pn£, .point in its composition is referible either to accidgnt or Jntuition — that the work proceeded, step by step, to its completion with the precision, #nd rigid . consequence of a 1 1 i:ii 1 1 > -ii im i, -il problem. Let us dismiss, as irrelevant to... | |
 | 1855 - 1428 pages
...manifest that no one point in its composition is referible either to accident or intention — that the work proceeded, step by step, to its completion,...and rigid consequence of a mathematical problem." A mind capable of such Herculean energy might triumph over the most enormous obstacles. In the following... | |
 | 1860 - 836 pages
...his lines to one-half the quantity. Edgar Рое вауз of the composition of hia " Raven," that " the work proceeded, step by step, to its completion...and rigid consequence of a mathematical problem." By even these few examples it will be seen what time, labor, and thought is required for the production... | |
 | Andrew Kennedy Hutchison Boyd - Literature - 1867 - 400 pages
...it manifest that no one point in its composition is referable either to accident or intuition ; that the work proceeded step by step, to its completion,...precision and rigid consequence of a mathematical problem. We shall give the several steps of the process by which, as its author assures us, The Raven was turned... | |
 | Early English newspapers - 1874 - 800 pages
...us, no sympathy with this repugnance, and he describes in curious detail how his best known poetical work " proceeded, step by step, to its completion...and rigid consequence of a mathematical problem." Having his own words for justification, I will not hesitate to lay before the public what cannot fail... | |
 | Edgar Allan Poe - 1876 - 522 pages
...manifest that no one point in its composition is referible either to accident or intuition — that the work proceeded, step by step, to its completion...precision and rigid consequence of a mathematical problem. Let us dismiss, as irrelevant to the poem, per se, the circumstance — or say the necessity — which,... | |
 | Edgar Allan Poe - 1879 - 336 pages
...manifest that no one point in its composition is referable either to accident or intuition — that the work proceeded, step by step, to its completion...precision and rigid consequence of a mathematical problem. Let us dismiss, as irrelevant to the poem, per se, the circumstance — or say the necessity — which,... | |
 | Edgar Allan Poe - 1881 - 588 pages
...manifest that no one point in its composition is referible either to accidetit or intuition — that the work proceeded, step by step, to its completion with the precision and rigid couseqnence of a mathematical problem. Let us dismiss, as irrelevant to the poem, per se, the circumstance... | |
 | Edgar Allan Poe - American poetry - 1882 - 226 pages
...manifest that no one point in its composition is referrible either to accident or intuition, — that the work proceeded, step by step, to its completion,...precision and rigid consequence of a mathematical problem. Let us dismiss, as irrelevant to the poem, per se, the circumstance — or say the necessity — which,... | |
 | Edgar Allan Poe - American fiction - 1882 - 430 pages
...manifest that no one point in its composition is referable either to accident or intuition — that the work proceeded, step by step, to its completion...precision and rigid consequence of a mathematical problem. Let us dismiss, as irrelevant to the poem, per se, the circumstance — or say the necessity — which,... | |
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