 ... in a desire to admit the incidental effect arising from the lover's throwing open the door, finding all dark, and thence adopting the half-fancy that it was the spirit of his mistress that knocked.  Roman Ingarden's Ontology and Aesthetics - Page 150by Jeff Mitscherling, Jeffrey Anthony Mitscherling - 1997 - 245 pagesLimited preview - About this book
 | Edgar Allan Poe - 1876 - 522 pages
...thence adopting the half-fancy that it was the spirit of his mistress that knocked. 1 made the night tempestuous, first, to account for the Raven's seeking...admission, and secondly, for the effect of contrast with ttw (physical) serenity within the chamber. I made the bird alight on the bust of Pallas, also for... | |
 | Edgar Allan Poe - 1879 - 336 pages
...thence adopting the half fancy that it was the spirit of his mistress that knocked. I made the night tempestuous, first, to account for the raven's seeking...contrast with the (physical) serenity within the chamber. I made the bird alight on the bust of Pallas, also, for the effect of contrast between the marble and... | |
 | Edgar Allan Poe - American fiction - 1882 - 430 pages
...thence adopting the half fancy that it was the spirit of his mistress that knocked. I made the night tempestuous, first, to account for the raven's seeking...contrast with the (physical) serenity within the chamber. I made the bird alight on the bust of Pallas, also, for the effect of contrast between the marble and... | |
 | Edgar Allan Poe - American poetry - 1882 - 226 pages
...spirit of his mistress that knocked. I made the night tempestuous, first, to account for the Raven seeking admission ; and secondly, for the effect of...contrast with the (physical) serenity within the chamber. I made the bird alight on the bust of Pallas, also for the effect of contrast between the marble and... | |
 | Edgar Allan Poe - American literature - 1883 - 542 pages
...thence adopting the half-fancy that it was the spirit of his mistress that knocked. I made the night tempestuous, first to account for the Raven's seeking...contrast with the (physical) serenity within the chamber. I made the bird alight on the bust of Pallas, also for the effect of contrast between the marble and... | |
 | William Swinton - Readers - 1885 - 620 pages
...thence adopting the half-fancy that it was the spirit of his mistress that knocked. I made the night tempestuous, first, to account for the raven's seeking...contrast with the (physical) serenity within the chamber. I made the bird alight on the bust of Pallas, also for the effect of contrast between the marble and... | |
 | Edgar Allan Poe - Fantasy literature, American - 1889 - 360 pages
...thence adopting the halffancy that it was the spirit of his mistress that knocked. I made the night tempestuous, first to account for the Raven's seeking...contrast with the (physical) serenity within the chamber. I made the bird alight on the bust of Pallas, also for the effect of contrast between the marble and... | |
 | Edgar Allan Poe, Edmund Clarence Stedman, George Edward Woodberry - American literature - 1895 - 376 pages
...was the spirit of his mistress that knocked. , I made the night tempestuous, first, to account for i the Raven's seeking admission, and secondly, for the...with the (physical) serenity within ( the chamber. I made the bird alight on the bust of Pallas, also for the effect of contrast between the marble and... | |
 | Franklin Verzelius Newton Painter - American literature - 1897 - 554 pages
...of the refrain — the refrain itself remaining, for the most part, unvaried." 2. " I made the night tempestuous, first to account for the Raven's seeking...with the (physical) serenity within the chamber." 3. Deeming a close circumscription of space necessary for the effect aimed at, he determined " to place... | |
 | American essays - 1900 - 514 pages
...thence adopting the halffancy that it was the spirit of his mistress that knocked. i I made the night tempestuous, first to account for the raven's seeking...contrast with the (physical) serenity within the chamber. I made the bird alight on the bust of Pallas, also for the effect of contrast between the marble and... | |
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