Roman Ingarden's Ontology and AestheticsA leading Polish philosopher of the 20th century, Roman Ingarden is principally renowned in Western culture for his work in aesthetics and the theory of literature. Jeff Mitscherling demonstrates, in this extensive work, how Ingarden's thought constitutes a major contribution to the more fundamental fields of ontology and metaphysics. Unparalleled in existing literature, Mitscherling's comprehensive survey of Ingarden's philosophy will give the reader an informed introduction to this major work of phenomenological analysis. |
From inside the book
Results 1-5 of 39
Page 5
... write ( after considerable preparatory work ) explicitly for Husserl in 1935 , three years be- fore Husserl's death . In the preface to the first edition of The Literary Work of Art , Ingarden writes : Although the main subject of my ...
... write ( after considerable preparatory work ) explicitly for Husserl in 1935 , three years be- fore Husserl's death . In the preface to the first edition of The Literary Work of Art , Ingarden writes : Although the main subject of my ...
Page 7
... write this , Prof. Dr. Zofia Majewska , of Uniwersytet Marii Curie- Sklodowskiej , Lublin , is preparing the first such biography ( to appear in Polish ) . 3. For example , in a note to Edith Stein's letter of 16 September 1919 to In ...
... write this , Prof. Dr. Zofia Majewska , of Uniwersytet Marii Curie- Sklodowskiej , Lublin , is preparing the first such biography ( to appear in Polish ) . 3. For example , in a note to Edith Stein's letter of 16 September 1919 to In ...
Page 8
... writes , for example ( Streit I 31-32 ) : Metaphysical considerations thus stand , on the one hand , in relation to ontological investigations , and on the other hand they must be tak- en into consideration along with the results of the ...
... writes , for example ( Streit I 31-32 ) : Metaphysical considerations thus stand , on the one hand , in relation to ontological investigations , and on the other hand they must be tak- en into consideration along with the results of the ...
Page 16
... write in all peacefulness a work about the method and meaning of episte- mology . " 27 He spent the fall of 1918 and the winter of 1919 in Lublin doing precisely that -- a part of the work was published two years later under the title ...
... write in all peacefulness a work about the method and meaning of episte- mology . " 27 He spent the fall of 1918 and the winter of 1919 in Lublin doing precisely that -- a part of the work was published two years later under the title ...
Page 26
... write a new dis- sertation in the hope of completing the doctorate under Twardowski in Lwow ( Lemberg ) . Husserl , of course , declined . ( See Ingarden's note to Husserl's letter of 20 June 1917 : " Notes to the Letters , " 139 , in ...
... write a new dis- sertation in the hope of completing the doctorate under Twardowski in Lwow ( Lemberg ) . Husserl , of course , declined . ( See Ingarden's note to Husserl's letter of 20 June 1917 : " Notes to the Letters , " 139 , in ...
Contents
1 | |
9 | |
Ingardens Interpretation of Husserl | 41 |
Controversy Over the Existence of the World | 79 |
The Literary Work of Art | 123 |
Ingardens Analyses of Other Sorts of Artworks | 163 |
Ingarden and Contemporary Aesthetics | 193 |
Bibliography of Works Cited | 215 |
Index of Subjects | 227 |
Index of Proper Names | 235 |
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Common terms and phrases
act of consciousness act of intention aesthetic object analysis appears architectural artistic chapter cognition concepts concretization constitution Controversy determined discussion distinction Edith Stein Edmund Husserl epistemological essence essential example existence existential foundation existential inseparateness existentially heteronomous experience fact Faculty formal-ontological formation Freiburg further Gadamer German Göttingen Husserl Husserl's letter idea idealism/realism idealist immanent Ingar Ingarden Ingarden's analyses Ingarden's interpretation Jagiellonian University Kraków lectures literary logical Lwów material meaning content metaphysical idealism mode musical ontic ontic bases ontic foundation ontological phenomenological Philosophy picture Polish position precisely present problem pure consciousness purely intentional object question reader real objects real world realist reality regard remarks represented objectivities Roman Ingarden schematized aspects Science sense sentence sorts spots of indeterminacy strata stratum Streit II/1 structure studies in aesthetics tion Toruń transcendent transcendental idealism UJ Rector UJA no number University of Warsaw Warsaw word sound writes
Popular passages
Page 152 - It will be observed that the words, "from out my heart," involve the first metaphorical expression in the poem. They, with the answer, " Nevermore," dispose the mind to seek a moral in all that has been previously narrated. The reader begins now to regard the raven as emblematical ; but it is not .until the very last line of the very last stanza, that the intention of making him emblematical of mournful and never-ending remembrance is permitted distinctly to be seen...
Page 150 - ... in mere pursuance of the ideas I have already explained on the subject of Beauty, as the sole true poetical thesis. The locale being thus determined, I had now to introduce the bird, and the thought of introducing him through the window was inevitable. The idea of making the lover suppose, in the first instance, that the flapping of the wings of the bird against the shutter is a
Page 152 - It will be observed that the words, " from out my heart," involve the first metaphorical expression in the poem. They, with the answer, " Nevermore," dispose the mind to seek a moral in all that has been previously narrated. The reader begins now to regard the Raven as emblematical — but it is not until the very last line of the very last stanza, that the intention of making him emblematical of Mournful and Never-ending Remembrance is permitted distinctly to be seen...
Page 148 - thing of evil—prophet still, if bird or devil! By that Heaven that bends above us, by that God we both adore, Tell this soul with sorrow laden if, within the distant Aidenn, It shall clasp a sainted maiden whom the angels name Lenore: Clasp a rare and radiant maiden whom the angels name Lenore!
Page 148 - Raven has, is in their combination into stanza ; nothing even remotely approaching this combination has ever been attempted. The effect of this originality of combination is aided by other unusual and some altogether novel effects, arising from an extension of the application of the principles of rhyme and alliteration.
Page 147 - When it most closely allies itself to Beauty: the death then of a beautiful woman is unquestionably the most poetical topic in the world...
Page 144 - It is my design to render it manifest that no one point in its composition is referable either to accident or intuition — that the work proceeded step by step to its completion with the precision and rigid consequence of a mathematical problem.
Page 148 - My first object (as usual) was originality. The extent to which this has been neglected in versification is one of the most unaccountable things in the world. Admitting that there is little possibility of variety in mere rhythm, it is still clear that the possible varieties of metre and stanza are absolutely infinite, and yet, for centuries, no man, in verse, has ever done, or ever seemed to think of doing, an original thing.
Page 150 - ... in a desire to admit the incidental effect arising from the lover's throwing open the door, finding all dark, and thence adopting the half-fancy that it was the spirit of his mistress that knocked.
Page 123 - world". — And then (on a higher level) the question of how these idealities can take on spatio-temporally restricted existence, in the cultural world (which must surely be considered as real, as included in the spatio-temporal universe), real existence, in the / form of historical temporality, as...