Roman Ingarden's Ontology and AestheticsA leading Polish philosopher of the 20th century, Roman Ingarden is principally renowned in Western culture for his work in aesthetics and the theory of literature. Jeff Mitscherling demonstrates, in this extensive work, how Ingarden's thought constitutes a major contribution to the more fundamental fields of ontology and metaphysics. Unparalleled in existing literature, Mitscherling's comprehensive survey of Ingarden's philosophy will give the reader an informed introduction to this major work of phenomenological analysis. |
From inside the book
Results 1-5 of 44
Page xiii
... logic , ontology , epistemology , and ethics . These works are themselves prefaced by further work , to be appearing soon , dealing at length with the notion of authorial intention that is sketched only in its barest outlines in the ...
... logic , ontology , epistemology , and ethics . These works are themselves prefaced by further work , to be appearing soon , dealing at length with the notion of authorial intention that is sketched only in its barest outlines in the ...
Page 4
... logical position in Controversy . In the summary of Chapter 5 , I draw together central features of the preceding analyses in describing the schematic character of the work of art in general . In Chapter 6 , having already argued at ...
... logical position in Controversy . In the summary of Chapter 5 , I draw together central features of the preceding analyses in describing the schematic character of the work of art in general . In Chapter 6 , having already argued at ...
Page 5
Jeff Mitscherling, Jeffrey Anthony Mitscherling. logical investigations as those he offered in Controversy and in his various studies in aesthetics were intended to facilitate the subse- quent task of solving such metaphysical problems ...
Jeff Mitscherling, Jeffrey Anthony Mitscherling. logical investigations as those he offered in Controversy and in his various studies in aesthetics were intended to facilitate the subse- quent task of solving such metaphysical problems ...
Page 6
... Logical Investigations he clearly occu- pied a realist position , " 12 Husserl " headed in the direction of tran- scendental idealism from the time of his Ideas , " eventually coming to adopt a radical position of idealism according to ...
... Logical Investigations he clearly occu- pied a realist position , " 12 Husserl " headed in the direction of tran- scendental idealism from the time of his Ideas , " eventually coming to adopt a radical position of idealism according to ...
Page 7
... logical studies . For this reason , I have chosen to exclude the examination of The Cognition of the Literary Work of Art , which , as he tells us in Controversy , is di- rected toward the treatment of an essentially epistemological ...
... logical studies . For this reason , I have chosen to exclude the examination of The Cognition of the Literary Work of Art , which , as he tells us in Controversy , is di- rected toward the treatment of an essentially epistemological ...
Contents
1 | |
9 | |
Ingardens Interpretation of Husserl | 41 |
Controversy Over the Existence of the World | 79 |
The Literary Work of Art | 123 |
Ingardens Analyses of Other Sorts of Artworks | 163 |
Ingarden and Contemporary Aesthetics | 193 |
Bibliography of Works Cited | 215 |
Index of Subjects | 227 |
Index of Proper Names | 235 |
Other editions - View all
Common terms and phrases
act of consciousness act of intention aesthetic object analysis appears architectural artistic chapter cognition concepts concretization constitution Controversy determined discussion distinction Edith Stein Edmund Husserl epistemological essence essential example existence existential foundation existential inseparateness existentially heteronomous experience fact Faculty formal-ontological formation Freiburg further Gadamer German Göttingen Husserl Husserl's letter idea idealism/realism idealist immanent Ingar Ingarden Ingarden's analyses Ingarden's interpretation Jagiellonian University Kraków lectures literary logical Lwów material meaning content metaphysical idealism mode musical ontic ontic bases ontic foundation ontological phenomenological Philosophy picture Polish position precisely present problem pure consciousness purely intentional object question reader real objects real world realist reality regard remarks represented objectivities Roman Ingarden schematized aspects Science sense sentence sorts spots of indeterminacy strata stratum Streit II/1 structure studies in aesthetics tion Toruń transcendent transcendental idealism UJ Rector UJA no number University of Warsaw Warsaw word sound writes
Popular passages
Page 152 - It will be observed that the words, "from out my heart," involve the first metaphorical expression in the poem. They, with the answer, " Nevermore," dispose the mind to seek a moral in all that has been previously narrated. The reader begins now to regard the raven as emblematical ; but it is not .until the very last line of the very last stanza, that the intention of making him emblematical of mournful and never-ending remembrance is permitted distinctly to be seen...
Page 150 - ... in mere pursuance of the ideas I have already explained on the subject of Beauty, as the sole true poetical thesis. The locale being thus determined, I had now to introduce the bird, and the thought of introducing him through the window was inevitable. The idea of making the lover suppose, in the first instance, that the flapping of the wings of the bird against the shutter is a
Page 152 - It will be observed that the words, " from out my heart," involve the first metaphorical expression in the poem. They, with the answer, " Nevermore," dispose the mind to seek a moral in all that has been previously narrated. The reader begins now to regard the Raven as emblematical — but it is not until the very last line of the very last stanza, that the intention of making him emblematical of Mournful and Never-ending Remembrance is permitted distinctly to be seen...
Page 148 - thing of evil—prophet still, if bird or devil! By that Heaven that bends above us, by that God we both adore, Tell this soul with sorrow laden if, within the distant Aidenn, It shall clasp a sainted maiden whom the angels name Lenore: Clasp a rare and radiant maiden whom the angels name Lenore!
Page 148 - Raven has, is in their combination into stanza ; nothing even remotely approaching this combination has ever been attempted. The effect of this originality of combination is aided by other unusual and some altogether novel effects, arising from an extension of the application of the principles of rhyme and alliteration.
Page 147 - When it most closely allies itself to Beauty: the death then of a beautiful woman is unquestionably the most poetical topic in the world...
Page 144 - It is my design to render it manifest that no one point in its composition is referable either to accident or intuition — that the work proceeded step by step to its completion with the precision and rigid consequence of a mathematical problem.
Page 148 - My first object (as usual) was originality. The extent to which this has been neglected in versification is one of the most unaccountable things in the world. Admitting that there is little possibility of variety in mere rhythm, it is still clear that the possible varieties of metre and stanza are absolutely infinite, and yet, for centuries, no man, in verse, has ever done, or ever seemed to think of doing, an original thing.
Page 150 - ... in a desire to admit the incidental effect arising from the lover's throwing open the door, finding all dark, and thence adopting the half-fancy that it was the spirit of his mistress that knocked.
Page 123 - world". — And then (on a higher level) the question of how these idealities can take on spatio-temporally restricted existence, in the cultural world (which must surely be considered as real, as included in the spatio-temporal universe), real existence, in the / form of historical temporality, as...