Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 8Gale Research Company, 1984 |
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Page 101
... never - the poet's . Some surfaces will not take a mural ; some clay resists life ; some situations , which looked neat enough in the blue - print , disintegrate under the weight of actuality and energy that Shakespeare cannot help ...
... never - the poet's . Some surfaces will not take a mural ; some clay resists life ; some situations , which looked neat enough in the blue - print , disintegrate under the weight of actuality and energy that Shakespeare cannot help ...
Page 168
... never so inflated in expression , as Tamburlaine itself . It is doubtless a better piece of work than Marlowe ever did ; I dare not say , than Marlowe ever could have done . It is not for any man to measure , above all is it not for any ...
... never so inflated in expression , as Tamburlaine itself . It is doubtless a better piece of work than Marlowe ever did ; I dare not say , than Marlowe ever could have done . It is not for any man to measure , above all is it not for any ...
Page 445
... never loses sight of the present . He , too , conceives his utopia to entertain , but as a deliberate distraction . ( pp . 237-38 ) Prospero , obviously , has intended neither to distract nor de- ceive Ferdinand , but only to provide a ...
... never loses sight of the present . He , too , conceives his utopia to entertain , but as a deliberate distraction . ( pp . 237-38 ) Prospero , obviously , has intended neither to distract nor de- ceive Ferdinand , but only to provide a ...
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action Antonio appears Ariel audience Beatrice and Benedick Beatrice's Benedick and Beatrice Borachio brother Buckingham Caliban character Clarence Claudio comedy comic conscience critic curse death deformity Dogberry Don John Don Pedro dramatic dramatist dream E. K. Chambers Edward elements Elizabeth Elizabethan essay date evil father feeling Ferdinand following excerpt give hath Henry Henry VI Hermann Ulrici Hero Hero's human imagination innocent King Lady Anne Leonato lover Macbeth magic Margaret marriage Messina Midsummer Night's Dream mind Miranda moral murder nature Nemesis notes passion pattern person play play's plot poet poetic Prince Prospero psychological Queen Richard Richard III Richmond role romantic scene seems sense Shake Shakespeare slander soliloquy soul speare speare's speech spirit stage Stephano story suggests Sycorax symbol Tempest thee theme things thou tragedy tragic Trinculo true villain whole William Shakespeare Winter's Tale woman women wooing words