Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 8Gale Research Company, 1984 |
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Page 262
... further his selfish ambitions . He also deprives women of their titles and identities by under- mining their family relationships . But , the critic adds , Richard III offers a " countermotion " to this unfavorable impression in the ...
... further his selfish ambitions . He also deprives women of their titles and identities by under- mining their family relationships . But , the critic adds , Richard III offers a " countermotion " to this unfavorable impression in the ...
Page 277
... further notes the hunchbacked king's affinities to a comedian and a puppetmaster . McLaughlin , John J. " Richard III as Punch . " The South Carolina Review 10 , No. 1 ( November 1977 ) : 79-86 . Argues that villainy and comedy are ...
... further notes the hunchbacked king's affinities to a comedian and a puppetmaster . McLaughlin , John J. " Richard III as Punch . " The South Carolina Review 10 , No. 1 ( November 1977 ) : 79-86 . Argues that villainy and comedy are ...
Page 285
... further maintained that when the mage abjures his art and resolves to take up a life of prayer , he is taking the last step toward complete assimilation with the gods . In the second half of the twentieth century , commentators on The ...
... further maintained that when the mage abjures his art and resolves to take up a life of prayer , he is taking the last step toward complete assimilation with the gods . In the second half of the twentieth century , commentators on The ...
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action Antonio appears Ariel audience Beatrice and Benedick Beatrice's Benedick and Beatrice Borachio brother Buckingham Caliban character Clarence Claudio comedy comic conscience critic curse death deformity Dogberry Don John Don Pedro dramatic dramatist dream E. K. Chambers Edward elements Elizabeth Elizabethan essay date evil father feeling Ferdinand following excerpt give hath Henry Henry VI Hermann Ulrici Hero Hero's human imagination innocent King Lady Anne Leonato lover Macbeth magic Margaret marriage Messina Midsummer Night's Dream mind Miranda moral murder nature Nemesis notes passion pattern person play play's plot poet poetic Prince Prospero psychological Queen Richard Richard III Richmond role romantic scene seems sense Shake Shakespeare slander soliloquy soul speare speare's speech spirit stage Stephano story suggests Sycorax symbol Tempest thee theme things thou tragedy tragic Trinculo true villain whole William Shakespeare Winter's Tale woman women wooing words