Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 8Gale Research Company, 1984 |
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Page 172
... force , and give it a name , fascination . In Richard there is a similar fascination of irresistibility , which also operates by his mere presence , and which fights for him in the same way in which the idea of their invincibility ...
... force , and give it a name , fascination . In Richard there is a similar fascination of irresistibility , which also operates by his mere presence , and which fights for him in the same way in which the idea of their invincibility ...
Page 245
... force that builds up against Richard till his fall becomes inevitable is not Richmond , but the ritual of history , the swelling chorus of a more - than - human force . Richmond is a tertium quid , the inheritor of the new land when the ...
... force that builds up against Richard till his fall becomes inevitable is not Richmond , but the ritual of history , the swelling chorus of a more - than - human force . Richmond is a tertium quid , the inheritor of the new land when the ...
Page 252
... force dramatic equality with a great villain , Shakespeare relies on techniques largely foreign to the modern stage , stylized language and ritualism . If Richard were in any great degree a divided figure , he could himself show the ...
... force dramatic equality with a great villain , Shakespeare relies on techniques largely foreign to the modern stage , stylized language and ritualism . If Richard were in any great degree a divided figure , he could himself show the ...
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action Antonio appears Ariel audience Beatrice and Benedick Beatrice's Benedick and Beatrice Borachio brother Buckingham Caliban character Clarence Claudio comedy comic conscience critic curse death deformity Dogberry Don John Don Pedro dramatic dramatist dream E. K. Chambers Edward elements Elizabeth Elizabethan essay date evil father feeling Ferdinand following excerpt give hath Henry Henry VI Hermann Ulrici Hero Hero's human imagination innocent King Lady Anne Leonato lover Macbeth magic Margaret marriage Messina Midsummer Night's Dream mind Miranda moral murder nature Nemesis notes passion pattern person play play's plot poet poetic Prince Prospero psychological Queen Richard Richard III Richmond role romantic scene seems sense Shake Shakespeare slander soliloquy soul speare speare's speech spirit stage Stephano story suggests Sycorax symbol Tempest thee theme things thou tragedy tragic Trinculo true villain whole William Shakespeare Winter's Tale woman women wooing words