Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 8Gale Research Company, 1984 |
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Page 198
... dramatic logic or tragic inevitability - Shakespeare unexpectedly brings his protag- onist down . Because of this " flaw in the dramatic organism of the play , " Charlton contends , Richard III “ is not great tragedy " in the ...
... dramatic logic or tragic inevitability - Shakespeare unexpectedly brings his protag- onist down . Because of this " flaw in the dramatic organism of the play , " Charlton contends , Richard III “ is not great tragedy " in the ...
Page 210
... dramatic form and art , his feeling for essentially dramatic values , for the inner unity and coherence of the drama , and his consequent endeavor to integrate het- erogeneous elements in the play . The second is his conscious and ...
... dramatic form and art , his feeling for essentially dramatic values , for the inner unity and coherence of the drama , and his consequent endeavor to integrate het- erogeneous elements in the play . The second is his conscious and ...
Page 389
... dramatic designs . ) Prospero's visionary speech that ends ' the revels ' is not simply a concentration of metaphor without reference to the dramatic development . It announces the changes to come , it gives a rich expression of their ...
... dramatic designs . ) Prospero's visionary speech that ends ' the revels ' is not simply a concentration of metaphor without reference to the dramatic development . It announces the changes to come , it gives a rich expression of their ...
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action Antonio appears Ariel audience Beatrice and Benedick Beatrice's Benedick and Beatrice Borachio brother Buckingham Caliban character Clarence Claudio comedy comic conscience critic curse death deformity Dogberry Don John Don Pedro dramatic dramatist dream E. K. Chambers Edward elements Elizabeth Elizabethan essay date evil father feeling Ferdinand following excerpt give hath Henry Henry VI Hermann Ulrici Hero Hero's human imagination innocent King Lady Anne Leonato lover Macbeth magic Margaret marriage Messina Midsummer Night's Dream mind Miranda moral murder nature Nemesis notes passion pattern person play play's plot poet poetic Prince Prospero psychological Queen Richard Richard III Richmond role romantic scene seems sense Shake Shakespeare slander soliloquy soul speare speare's speech spirit stage Stephano story suggests Sycorax symbol Tempest thee theme things thou tragedy tragic Trinculo true villain whole William Shakespeare Winter's Tale woman women wooing words