Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 8Gale Research Company, 1984 |
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Page 52
... course , his motives are mixed ; but at any rate he shows himself aware of human factors in the situation before him - whatever use he make of them — to which even the lady's father is , for the moment , blind . For time , given the ...
... course , his motives are mixed ; but at any rate he shows himself aware of human factors in the situation before him - whatever use he make of them — to which even the lady's father is , for the moment , blind . For time , given the ...
Page 93
... course of loving , mistaking , and winning again , written from a specifically masculine point of view ( again using the word masculine in its idiosyncratic sense here ) that is half romance and half business , is a necessary backbone ...
... course of loving , mistaking , and winning again , written from a specifically masculine point of view ( again using the word masculine in its idiosyncratic sense here ) that is half romance and half business , is a necessary backbone ...
Page 224
... course ; but that is no matter . Shakespeare's construction usually involves the presence of meanings and connotations in early lines which are completed and fulfilled only in later passages . It is one of the most telling ways in which ...
... course ; but that is no matter . Shakespeare's construction usually involves the presence of meanings and connotations in early lines which are completed and fulfilled only in later passages . It is one of the most telling ways in which ...
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action Antonio appears Ariel audience Beatrice and Benedick Beatrice's Benedick and Beatrice Borachio brother Buckingham Caliban character Clarence Claudio comedy comic conscience critic curse death deformity Dogberry Don John Don Pedro dramatic dramatist dream E. K. Chambers Edward elements Elizabeth Elizabethan essay date evil father feeling Ferdinand following excerpt give hath Henry Henry VI Hermann Ulrici Hero Hero's human imagination innocent King Lady Anne Leonato lover Macbeth magic Margaret marriage Messina Midsummer Night's Dream mind Miranda moral murder nature Nemesis notes passion pattern person play play's plot poet poetic Prince Prospero psychological Queen Richard Richard III Richmond role romantic scene seems sense Shake Shakespeare slander soliloquy soul speare speare's speech spirit stage Stephano story suggests Sycorax symbol Tempest thee theme things thou tragedy tragic Trinculo true villain whole William Shakespeare Winter's Tale woman women wooing words